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The Miser discovering the loss of the mortgage-money
Creator:
George Cruikshank, 1792–1878
Date:
1842
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Tom & Jerry sporting their blunt...
Creator:
George Cruikshank, 1792–1878
Date:
1820
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Tom & Jerry in Trouble after a Spree
Creator:
George Cruikshank, 1792–1878
Date:
1820
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Election. Plate 2. Canvassing for Votes.
Creator:
T. E. Nicholson, active early 19th century
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Election Plate I. Humours of an election entertainment
Creator:
T. E. Nicholson, active early 19th century
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

206. Untitled

Untitled
Creator:
Samuel Ireland, active 1760–died 1800
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Election Plate I. - Humours of an election entertainment
Creator:
T. E. Nicholson, active early 19th century
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Industry and Idleness
Creator:
Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Charlecote from the Terrace
Creator:
Herbert Railton, 1857–1910
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Westminster Abbey
Creator:
Henri Toussaint, 1849–1911
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Place Salone, Padua Italy
Creator:
Thomas Jeavons, ca. 1800–1867
Date:
1837
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
View of the Town and Cathedral of Carlisle
Creator:
Thomas Morris, born 1771
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Wassail Bowl: Christmas in the Olden Time
Creator:
Thomas Hollis, 1818–1843
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Cader ldris
Creator:
Edward Francis Finden, 1791–1857
Date:
1823
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
A Charging Mameluke Firing a Pistol
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Etching and soft-ground
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Rumsey Church
Creator:
Richard Bernard Godfrey, 1728–op.1794
Date:
July 1, 1777
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
An Italian Hill Town
Creator:
Charles H. Mackie, 1862–1920
Materials & Techniques:
Etching and drypoint, second state
Dimensions:
Sheet: 7 1/2 x 10 1/4in. (19.1 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
An Italian Hill Town
Creator:
Charles H. Mackie, 1862–1920
Materials & Techniques:
Etching and drypoint
Dimensions:
Sheet: 8 1/2 x 10 5/8in. (21.6 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
An Italian Hill Town
Creator:
Charles H. Mackie, 1862–1920
Materials & Techniques:
Etching with graphite
Dimensions:
Sheet: 9 5/8 x 13 1/2in. (24.4 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Portrait of James Madison
Creator:
John Sartain, 1808–1897
Date:
1833
Materials & Techniques:
Mezzotint on wove paper
Dimensions:
Sheet: 15 1/8 x 11 3/8 inches (38.4 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

221. Diligence

Diligence
Creator:
Charles Knight, 1743–c.1826
Materials & Techniques:
Color stipple engraving
Dimensions:
Sheet: 18 1/2 x 12 7/8in. (47 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

222. Discovery

Discovery
Creator:
Charles Knight, 1743–c.1826
Materials & Techniques:
Color stipple engraving
Dimensions:
Sheet: 18 1/2 x 12 3/4in. (47 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
A Landscape with Cattle
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1775
Materials & Techniques:
Etching (proof) on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 x 16 inches (27.9 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Sophia, Honour, and the Chambermaid
Creator:
James Gillray, 1756–1815
Date:
1780
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 5/8 x 10 7/8 inches (39.7 x 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Old La Roche [Belgian Set: No. 7]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching
Dimensions:
Plate: 8 9/16 x 10in. (21.7 x 25.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Mausoleum, at Trentham (the Seat of the Marquis of Stratford)
Creator:
Print made by John Gendall, 1790–1865
Date:
1824
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 9 3/8 inches (14.9 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Midgham House, the Seat of W.S. Poyntz, Esq., M.P.
Creator:
Print made by Frederick W. L. Stockdale, active 1803–1848
Date:
1826
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 × 9 1/4 inches (14.3 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Chiswick House
Creator:
Print made by Benjamin Green, ca. 1736–ca. 1800
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/8 × 7 3/4 inches (12.4 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Government House, Funchall, Madeira
Creator:
Print made by James Baily, active 1815–1834
Date:
1809
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 × 9 inches (14.3 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Remaining Tower of Cardinal Wolsey's Palace at Esher in the Domain of John Spicer. Esq.
Creator:
Print made by George Cooke, 1781–1834
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Hôtel de Villes, Brussels
Creator:
Print made by William Woolnoth, active 1806–1830
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 10 1/8 inches (18.4 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Frauen Capelle, Haupt Markt
Creator:
Print made by William Tombleson, ca.1795–1835
Date:
1822
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
St. Stephan's Dom-Kirche, Vienna
Creator:
Print made by William Tombleson, ca.1795–1835
Date:
1822
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
St. Stephan's Dom-Kirche, from Stock Am Eisen, Vienna
Creator:
Print made by Josiah Henshall, 1806–1869
Date:
1822
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Old House, Strasburgh
Creator:
Print made by John Saddler, 1813–1892
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Illustrations for 'Gil Blas', plate I
Creator:
Print made by James Heath, 1757–1834
Date:
1781
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Illustrations for 'Gil Blas', plate V
Creator:
Print made by William Sharp, 1749–1824
Date:
1781
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Illustrations for 'Gil Blas', plate II
Creator:
Print made by Charles Grignion, 1717–1810
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Illustrations for 'Gil Blas', plate IV
Creator:
Print made by James Heath, 1757–1834
Date:
1781
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Ulm Cathedral
Creator:
Print made by William Woolnoth, active 1806–1830
Date:
1822
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Illustrations for 'Gil Blas', plate VI
Creator:
after Thomas Stothard, 1755–1834
Date:
1781
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Illustrations for 'Gil Blas', plate VIII
Creator:
Print made by James Heath, 1757–1834
Date:
1781
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Illustrations for 'Gil Blas, plate iX
Creator:
Print made by James Heath, 1757–1834
Date:
1781
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Illustrations for 'Gil Blas', plate VII
Creator:
Print made by Charles Grignion, 1717–1810
Date:
1781
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Illustrations for 'Gil Blas', plate X
Creator:
after Thomas Stothard, 1755–1834
Date:
1781
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Illustrations for 'Gil Blas', plate III
Creator:
Print made by Charles Grignion, 1717–1810
Date:
1781
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Le Dernier Des Mohicans
Creator:
Print made by Tony Johannot, 1803–1852
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Peter Stuyvesant Rebuking the Cobbler
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1823
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
William Kieft Introducing a New Mode of Punishment for Beggars & c.
Creator:
Print made by John Romney, 1786–1863
Date:
1823
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Domestic Scene
Creator:
Print made by William Finden, 1787–1852
Date:
1828
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Lawsuit Decided by Wouter Van Twiller
Creator:
Print made by John Romney, 1786–1863
Date:
1823
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Antony Van Corlear Setting off for the Wars
Creator:
Print made by Alfred William Warren, active 1791–1809
Date:
1823
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Legend of Sleepy Hollow
Creator:
Print made by Charles Rolls, 1800–active 1830
Date:
1823
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Rip Van Winkle
Creator:
Print made by Charles Rolls, 1800–active 1830
Date:
1823
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Gamekeepers Attacking the Poachers
Creator:
Print made by George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Black Knight & the Clerk of Copmanhurst
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1837
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Brenhilda, Agelastes & Sylvan
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1838
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Oliver Amazed at the Dodger's Mode of 'going to work'
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1837
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Mr. Bumble and Mrs. Corney Taking Tea
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1838
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Oliver Wanted by the Bon Street Runners
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1838
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Oliver Twist at Mrs. Maylie's Door
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1838
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Clermont-Ferrand, France
Creator:
after James Duffield Harding, 1798–1863
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Pelling Place: (Lawn Front)
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Aquatint with handcoloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Pencarrow: The Seat of Lady Molesworth
Creator:
Print made by unknown artist
Date:
1826
Materials & Techniques:
Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Hawley House: The Residence of T. Champion Esq.
Creator:
Print made by unknown artist
Date:
1828
Materials & Techniques:
Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Luscombe, Seat of Charles Hoare, Esquire
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
S.W. View of Gerrard's Hall
Creator:
Print made by unknown artist
Date:
1811
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Rouen, from la Haute Vieille Tour
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1820
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Hotel de Ville, Ghent
Creator:
Print made by Albert Henry Payne, 1812–1902
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Herdsman
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1859
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Odds & Ends, in, out, and about, The Great Exhibition of 1851
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1851
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Room in Fulwood's Rents, Gray's Inn
Creator:
Printed by John Wykeham Archer, 1808–1864
Date:
1850
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

273. White Lady

White Lady
Creator:
Print made by Edward Scriven, 1775–1841
Date:
1833
Materials & Techniques:
Line engraving with hand coloring in watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Chimney Piece in the Baptist's Head, Clerkenwell
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
London Wall, Cripplegate Postern
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
London Wall, St. Martin's Court, Ludgate Hill
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Door of an Old Mansion, in Gravel Lane, Houndsditch
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
West Gate of St. Bartholomew's Priory, Smithfield
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
London Wall, South Wall of Cripplegate Postern
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Crypt under the Chapel, Lambeth Palace
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Wood Carving and Original Sign of the House Cock Inn, Tothill Street, Westminster
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Draper's Alms Houses, Crutched Friars
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Street Monuments, Signs, Badges, &c., Plate 1
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Street Monuments, Signs, Badges, &c., Plate 2
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Street Monuments, Signs, Badges, &c., Plate 3
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Room in the Coach and Horses, Bartholomew Close
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Staircase, Southampton House, Holborn
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Interior of the Fleet Ditch
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Battersea Bridge, from Cheyne Walk, Chelsea
Creator:
Print made by Charles Heath, 1785–1848
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Rudiments of Landscape in Progressive Studies, Plate 46
Creator:
Print made by Samuel Prout, 1783–1852
Date:
1813
Materials & Techniques:
Soft-ground etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Works of the Strand Bridge
Creator:
Print made by George Cooke, 1781–1834
Date:
1829
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

292. Verona

Verona
Creator:
Print made by John Woods, active 1836–1860
Date:
1841
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Royat, France
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1836
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Brighton and Beachy Head, on the Coast of Sussex
Creator:
Print made by James Baily, active 1815–1834
Date:
1818
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

295. The Stable

The Stable
Creator:
Print made by Newton Limbird Smith Fielding, 1799–1856
Date:
1836
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock, Plate 16
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock, Plate 13
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock, Plate 15
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock, Plate 12
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

300. Africa

Africa
Creator:
Print made by John Browne, 1741–1801
Date:
1775
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection