Album Collection of Sixty-six Engravings after William Hogarth
4
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
5
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
6
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
7
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
8
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
9
John Calcott Horsley, 1817–1903
Etchings for the Art Union of London by the Etching Club: Monsieur se Chauffe, Number 3
10
John Calcott Horsley, 1817–1903
Etchings for the Art Union of London by the Etching Club: Madame se Chauffe, Number 4
11
George Bernard O'Neill, 1828–1917
Etchings for the Art Union of London by the Etching Club: The Fourteenth of February, Number 5
12
Charles West Cope, 1811–1890
Etchings for the Art Union of London by the Etching Club: The Illuminator, Number 6
13
James Clarke Hook, 1819–1907
Etchings for the Art Union of London by the Etching Club: Sea Urchins, Number 18
14
George Bernard O'Neill, 1828–1917
Etchings for the Art Union of London by the Etching Club: Nestlings, Number 19
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Charles West Cope, 1811–1890
Etchings for the Art Club of London by the Etching Club: Summer Dreams, Number 20
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Richard James Lane, 1800–1872
Mrs. John Kemble
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Benjamin Cole, 1697–1783
A View of the House of Peers
18
William Johnstone White, active 1804–died c.1870
North West Entrance of the Vestibule to the House of Commons
19
Luigi Balugani, 1737–1770
Natural History Sketches
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Thomas Creswick, 1811–1869
Etchings for the Art Union of London by the Etching Club: The Old Bridge, Number 1
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John Frederick Tayler, 1802–1889
Etchings for the Art Club of London by the Etching Club: Otter-Hounds Questing, Number 8
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Richard Ansdell, 1815–1885
Etchings for the Art Union of London by the Etching Club: The Anxious Mother, Number 10
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James Clarke Hook, 1819–1907
Etchings for the Art Union of London by the Etching Club: Dort, The Birthplace of Cuyp, Number 11
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John Frederick Tayler, 1802–1889
Etchings for the Art Union of London by the Etching Club: Dogs and Wild Boar, Number 12
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Richard James Lane, 1800–1872
The Origin of a Painter (Volume of 102 lithographs)
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Richard James Lane, 1800–1872
Captain G. F. Lyon (Volume of 102 lithographs)
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John Hayter, 1800–1895
Act 2nd Scene 12 (Volume of 102 lithographs)
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Hayman Rooke, 1722–1806
Figure in Forest
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Richard James Lane, 1800–1872
Madame Vestris as a Broom Girl (Volume of 102 lithographs)
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Richard James Lane, 1800–1872
Mademoiselle Taglioni (Volume of 102 lithographs)
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Print made by William Sharp, active 1819–ca. 1837
The Young Commodore
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Henry Humphreys, 1810–1879
Kahmond II Emperor of the Turks (Volume of 102 lithographs)
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David Deuchar, 1743–1808
Untitled
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Richard James Lane, 1800–1872
Seated Woman Reading (Volume of 102 lithographs)
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Richard James Lane, 1800–1872
Miss Love as a Broom Girl (Volume of 102 lithographs)
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Richard James Lane, 1800–1872
The Princess Victoria (Volume of 102 lithographs)
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John Hayter, 1800–1895
Scene IX; from a play by Euripides (Volume of 102 lithographs)
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John Hayter, 1800–1895
Act I, Scenes IV and V; from a play by Euripides (Volume of 102 lithographs)
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John Hayter, 1800–1895
Act I, Scene V; from a play by Euripides (Volume of 102 lithographs)
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John Hayter, 1800–1895
Act 2nd Scene IX (Volume of 102 lithographs)
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Print made by William Sharp, active 1819–ca. 1837
The New Muff (Volume of 102 Lithographs)
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Print made by William Sharp, active 1819–ca. 1837
Miss Fanny Kemble (Volume of 102 Lithographs)
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Print made by William Sharp, active 1819–ca. 1837
Italian Boy (Volume of 102 Lithographs)
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Print made by William Sharp, active 1819–ca. 1837
The Playfellows (Volume of 102 Lithographs)
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Henry Melville, active 1826–1841
House of Commons, Destroyed by Fire, Oct. 16th 1834
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Anker Smith, 1759–1819
War Listening to Peace
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Richard Ansdell, 1815–1885
Etchings for the Art Union of London by the Etching Club: Habilants of our Shores, Number 14
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Thomas Henry Wyatt, 1807–1880
Album of 256 drawings made upon Grand Tour
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Thomas Henry Wyatt, 1807–1880
Album of 259 designs and drawings of varied nature
50
William Henry Toms, ca. 1700–ca. 1750
24 drawings for West's Churches of London
51
J. J. Rurie, active 1843
Six Prisoners
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J. J. Rurie, active 1843
Five Prisoners
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J. J. Rurie, active 1843
Prisoners
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J. J. Rurie, active 1843
Prison Buildings
55
Henry Bryan Ziegler, 1793–1874
Eight Drawings and Eight Plans for Lodges in Windsor Great Park
56
James Thomson, 1800–1883
Drawings of Grittleton (A Volume)
57
Decimus Burton, 1800–1881
Two Panoramas for an Estate
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Edgeworth Beaufort, Born 1800
[One from] Design, Notes and Other Papers in a Cloth Box
59
William Brockedon, 1787–1854
Hilly Landscape with Horse-Drawn Cart in Foreground
60
William Brockedon, 1787–1854
Cityscape from a Distance, with Church Towers and Smokestacks
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William Brockedon, 1787–1854
Landscape of Steep Hills with Building on one Summit
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William Brockedon, 1787–1854
Grassy Ravine with Grazing Sheep
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William Brockedon, 1787–1854
Landscape with Houses set at the Foot of Hills
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William Brockedon, 1787–1854
View up a River at the Base of a Steep Mountain Range
65
Robert H. Burden, fl.1850–1890
Six Sketches of Towers, made in Rouen and Chartres
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Robert H. Burden, fl.1850–1890
Four pen and brown ink Sketches, on One Sheet of Paper; Three Sketches are of Towers, One of a Bell
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Robert H. Burden, fl.1850–1890
Six pen and brown ink Sketches, on Three Pieces of Paper (a-c): (a) Four Small Sketches of Parts of Churches; (b) Sketch of Church Spire; (c) Sketch of Belfry
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Robert H. Burden, fl.1850–1890
Crucifixion in Colored Window, Chartres
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Robert H. Burden, fl.1850–1890
Five Studies of Colored Glass Borders
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Robert H. Burden, fl.1850–1890
Crucifixion in Stained Glass, Chartres
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Robert H. Burden, fl.1850–1890
Two Sketches on one paper, of window and font, Amiens
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Robert H. Burden, fl.1850–1890
Three Sketches of Windows and Capitals, Amiens
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Robert H. Burden, fl.1850–1890
Two Arches in North Transept, Amiens
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Robert H. Burden, fl.1850–1890
Studies of Candle Holders, Amiens
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Robert H. Burden, fl.1850–1890
Drawing of Carved Tomb, Amiens
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Robert H. Burden, fl.1850–1890
Three Studies of Arcading and Vaulting, Amiens
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George Cruikshank, 1792–1878
Figures in a Bar Drinking and Gambling
78
George Cruikshank, 1792–1878
Studies of 2 Men in Profile
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George Cruikshank, 1792–1878
Harbour Scene
80
George Cruikshank, 1792–1878
The Family Cock
81
Rev. William Gilpin, 1724–1804
[One from an] Album of 46 Landscape Drawings including loose leaf wrapper
82
W. A. Glynn
Western Tour: [one from] An Album of 66 drawings of landscapes, seascapes and marine views of places around Cornwall, Devon
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Peter Lombard, ca. 1613–1682
Illustration to Virgil Eclogue 3
84
William Simpson, 1823–1899
Sketchbook of Landscape studies in Switzerland
85
Thomas Lound, 1802–1861
Sketchbook containing one watercolor and sketches in graphite of boats
86
Nathaniel Dance, 1735–1811
Lamenting Woman Inside an Archway, Watching a Man Ride off on Horseback
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Nathaniel Dance, 1735–1811
Embracing Couple Jumping Out a Window as an Old Man Enters Their Home
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Nathaniel Dance, 1735–1811
Man Peering Over the Edge of a Cliff
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Nathaniel Dance, 1735–1811
Corpulent Bride and Groom, with Arms Linked
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Nathaniel Dance, 1735–1811
Two Men at a Table Eating Pudding: One Rises Holding His Stomach
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Nathaniel Dance, 1735–1811
Drunken Man Carrying Large Goblet of Wine, on the Bank of a River
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Nathaniel Dance, 1735–1811
Man with Protruding Jaws and Tiny Nose, Facing Left
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Nathaniel Dance, 1735–1811
Man with Hammer and Chisel Working on a Globe; and a View of St. Peter's in a Frame
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Nathaniel Dance, 1735–1811
Man with Closed Mouth Seated in an Armchair, Pursued by Flies
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Nathaniel Dance, 1735–1811
Shy, Awakened Couple Standing Together
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Nathaniel Dance, 1735–1811
Scene Between Two Men, One Pulling the Other's Ear
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Nathaniel Dance, 1735–1811
Woman in Flowing Gown and Veil, with Upstretched Arms, Exclaiming in a Street: A Distant Man .
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Nathaniel Dance, 1735–1811
A Personified Cloud Blowing a Man with his Head Restng on his Legs; Scene is set Beside the Sea