The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---
1795
102
James Gillray, 1756–1815
Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own
1795
103
James Gillray, 1756–1815
The Royal-Bull-Fight
1795
104
James Gillray, 1756–1815
What a Cur ' tis
1795
105
James Gillray, 1756–1815
The Crown & Anchor - Libel, Burnt by the Public Hangman (from: Caricature, vol. 1)
1795
106
James Gillray, 1756–1815
The Introduction
1791
107
James Gillray, 1756–1815
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
108
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
109
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
110
James Gillray, 1756–1815
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy
1796
111
James Gillray, 1756–1815
The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)
1796
112
James Gillray, 1756–1815
The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"
1791
113
James Gillray, 1756–1815
Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined
1797
114
James Gillray, 1756–1815
To Be Paid For - The Dog Tax
1796
115
James Gillray, 1756–1815
No Flower that Blows, Is Like this Rose
1796
116
James Gillray, 1756–1815
St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone
1797
117
James Gillray, 1756–1815
Pylades & Orestes (Stadtholder & His Secretary)
1797
118
James Gillray, 1756–1815
Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister)
1794
119
James Gillray, 1756–1815
The Tree of Liberty, - With The Devil Tempting John Bull (Fox)
1798
120
James Gillray, 1756–1815
Le Coup de Maitre
1797
121
James Gillray, 1756–1815
Shrine at St. Ann's Hill
1798
122
James Gillray, 1756–1815
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton
1795
123
James Gillray, 1756–1815
French - Telegraph Making Signals in the Dark
1795
124
James Gillray, 1756–1815
The Death of the Great Wolf
1795
125
James Gillray, 1756–1815
Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition
1795
126
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
127
James Gillray, 1756–1815
The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition
1795
128
James Gillray, 1756–1815
The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France
1795
129
James Gillray, 1756–1815
Presages of the Millenium
1795
130
James Gillray, 1756–1815
A Slice of Glo'ster Cheese
1795
131
James Gillray, 1756–1815
Portrait of an Irish Chief; Drawn from Life at Wexford
1798
132
James Gillray, 1756–1815
Loyal Souls; - or - A Peep into the Mess-Room, at St. James's
1797
133
James Gillray, 1756–1815
Copenhagen House
1795
134
James Gillray, 1756–1815
Councellor Ego. - i.e.: - Little I, Myself, I
1798
135
James Gillray, 1756–1815
Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"
1798
136
James Gillray, 1756–1815
Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1)
1798
137
James Gillray, 1756–1815
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
138
Print made by Joseph Brown, 19th century
James Gillray
1848
139
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
140
James Gillray, 1756–1815
The Republican - Attack
1795
141
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
142
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
143
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
144
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
145
James Gillray, 1756–1815
The Friendly Agent
1787
146
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
147
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
148
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
149
James Gillray, 1756–1815
The Triumphant Britons
1780
150
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
151
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
152
James Gillray, 1756–1815
The Soliloquy
1782
153
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
154
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
155
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
156
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
157
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
158
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
159
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
160
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
161
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
162
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
163
James Gillray, 1756–1815
Independence
1799
164
James Gillray, 1756–1815
A Man of Importance
1799
165
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
166
James Gillray, 1756–1815
A Portrait ------------
1799
167
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
168
James Gillray, 1756–1815
A Hackney Meeting
1796
169
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
170
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
171
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
172
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
173
James Gillray, 1756–1815
Patience on a Monument
1791
174
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
175
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
176
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
177
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
178
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
179
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
180
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
181
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
182
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
183
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
184
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
185
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
186
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
187
James Gillray, 1756–1815
The Tottering Pyramid
1784
188
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
189
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
190
James Gillray, 1756–1815
The English Regency
1789
191
James Gillray, 1756–1815
The Battle of Bow-Street
1788
192
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
193
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
194
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
195
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
196
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e