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Period 18th century

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Creator Gillray, James, 1756–1815

Remove constraint Creator: Gillray, James, 1756–1815

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unknown artist Four Figures on a Sheet
unknown artist
Four Figures on a Sheet
undated
James Gillray Sophia, Honour, and the Chambermaid
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
James Gillray The Apotheosis of Hoche
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
James Gillray Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
James Gillray A Sun Setting in a Fog, With The Old Hanover Hack Descending
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
James Gillray The - Battle Royal, or Who Wears the Breeches
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
James Gillray The Friendly Agent
James Gillray, 1756–1815
The Friendly Agent
1787
James Gillray A Warm Birth for the Old Administration -----
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
James Gillray The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-.
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
James Gillray A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It...
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
James Gillray Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc.
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
James Gillray Ah, Grant A Me Von Letel Bite
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
James Gillray Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
James Gillray The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
James Gillray A Block for the Wigs - or, The New State Whirligig
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
James Gillray A Coalition of Parties, Give Justice Her Claims
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
James Gillray Scene Le Vrog House
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
James Gillray The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
James Gillray The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
James Gillray Jack A Both Sides!
James Gillray, 1756–1815
Jack A Both Sides!
1783
James Gillray The Minister In - The Minister Out
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
James Gillray Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
James Gillray The Dutch Divisions
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
James Gillray Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
James Gillray The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
James Gillray John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
James Gillray Swearing to the Cutting Monster or - A Scene in Bow Street
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
James Gillray Scene le Vrog House
James Gillray, 1756–1815
Scene le Vrog House
1782
James Gillray Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself
James Gillray, 1756–1815
Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself
1798
James Gillray Apothecaries, Taylors & c. Conquering France and Spain
James Gillray, 1756–1815
Apothecaries, Taylors & c. Conquering France and Spain
1779
James Gillray National Discourse
James Gillray, 1756–1815
National Discourse
1780
James Gillray The Nabob Rumbled or A Lord Advocates Amusement
James Gillray, 1756–1815
The Nabob Rumbled or A Lord Advocates Amusement
1783
James Gillray Les Trois Magots
James Gillray, 1756–1815
Les Trois Magots
1791
James Gillray Anticipation, or the approaching fate of the French commercial treaty
James Gillray, 1756–1815
Anticipation, or the approaching fate of the French commercial treaty
1787
James Gillray French Democrats surprizing the Royal Runaways
James Gillray, 1756–1815
French Democrats surprizing the Royal Runaways
1791
James Gillray A Standing-dish at Boodles
James Gillray, 1756–1815
A Standing-dish at Boodles
1800
James Gillray The Minister In / The Minister Out
James Gillray, 1756–1815
The Minister In / The Minister Out
1782
James Gillray New Morality
James Gillray, 1756–1815
New Morality
1798
James Gillray Doublûres of Characters
James Gillray, 1756–1815
Doublûres of Characters
1798
James Gillray Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse
1798
James Gillray Election Troops bringing in their accounts to the Paytable
James Gillray, 1756–1815
Election Troops bringing in their accounts to the Paytable
1788
James Gillray Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work
James Gillray, 1756–1815
Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work
1798
James Gillray Tom Paine's Nightly Pest
James Gillray, 1756–1815
Tom Paine's Nightly Pest
1792
James Gillray The Generae of Patriotism
James Gillray, 1756–1815
The Generae of Patriotism
1796
James Gillray Visiting the Sick
James Gillray, 1756–1815
Visiting the Sick
1806
James Gillray Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
James Gillray Every Man has his Hobby Horse
Print made by James Gillray, 1756–1815
Every Man has his Hobby Horse
1784
James Gillray Les Membres du Conseil des Cinq Cents. French Habits No. 3
James Gillray, 1756–1815
Les Membres du Conseil des Cinq Cents. French Habits No. 3
1798
James Gillray Councellor Ego. -i.e: little i, myself i
James Gillray, 1756–1815
Councellor Ego. -i.e: little i, myself i
1798
James Gillray "Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
James Gillray, 1756–1815
"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
1798
James Gillray Président d'Administration Municipale. French Habits no 5
James Gillray, 1756–1815
Président d'Administration Municipale. French Habits no 5
1798
James Gillray A Peep into the Cave of Jacobinism
James Gillray, 1756–1815
A Peep into the Cave of Jacobinism
1798
James Gillray Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself
James Gillray, 1756–1815
Evidence to Character - being, a portrait of a Traitor, by his Friends & by Himself
1798
James Gillray A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
James Gillray, 1756–1815
A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
1783
James Gillray The Injured Countess
James Gillray, 1756–1815
The Injured Countess
1786-1788
James Gillray Gillray Caricatures
James Gillray, 1756–1815
Gillray Caricatures
James Gillray Shakespeare Sacrificed; or, The Offering to Avarice
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
James Gillray Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition
James Gillray, 1756–1815
Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition
1795
James Gillray A Slice of Glo'ster Cheese
James Gillray, 1756–1815
A Slice of Glo'ster Cheese
1795
James Gillray Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1)
James Gillray, 1756–1815
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1)
1798
James Gillray Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
James Gillray Taking Physick; - or - The News of Shooting the King of Sweden!
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
James Gillray The Slough of Despond----; Vide - The Patriots Progress
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
James Gillray The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
James Gillray Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
James Gillray Miss, I Have a Monstrous Crow to Pluck with You!
James Gillray, 1756–1815
Miss, I Have a Monstrous Crow to Pluck with You!
1794
James Gillray Vices overlook'd in the New Proclamation
James Gillray, 1756–1815
Vices overlook'd in the New Proclamation
1792
James Gillray Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day
James Gillray, 1756–1815
Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day
1792
James Gillray Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
James Gillray, 1756–1815
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
1791
James Gillray French Liberty - British Slavery
James Gillray, 1756–1815
French Liberty - British Slavery
1792
James Gillray The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."
James Gillray, 1756–1815
The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."
1791
James Gillray Sin, Death, and the Devil
James Gillray, 1756–1815
Sin, Death, and the Devil
1792
James Gillray The Chancellor of the Inquisition Marking the Incorrigibles
James Gillray, 1756–1815
The Chancellor of the Inquisition Marking the Incorrigibles
1793
James Gillray The Introduction
James Gillray, 1756–1815
The Introduction
1791
James Gillray The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes.
James Gillray, 1756–1815
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes
1791
James Gillray The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform
James Gillray, 1756–1815
The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform
1788
James Gillray Dido Forsaken, Sic Transit Gloria Regimae
James Gillray, 1756–1815
Dido Forsaken, Sic Transit Gloria Regimae
1787
James Gillray An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
James Gillray The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---
James Gillray, 1756–1815
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---
1795
James Gillray Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own
James Gillray, 1756–1815
Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own
1795
James Gillray The Royal-Bull-Fight
James Gillray, 1756–1815
The Royal-Bull-Fight
1795
James Gillray The Lover's Dream
James Gillray, 1756–1815
The Lover's Dream
1795
James Gillray Copenhagen House
James Gillray, 1756–1815
Copenhagen House
1795
James Gillray Presages of the Millenium
James Gillray, 1756–1815
Presages of the Millenium
1795
James Gillray Portrait of an Irish Chief; Drawn from Life at Wexford
James Gillray, 1756–1815
Portrait of an Irish Chief; Drawn from Life at Wexford
1798
James Gillray Loyal Souls; - or - A Peep into the Mess-Room, at St. James's
James Gillray, 1756–1815
Loyal Souls; - or - A Peep into the Mess-Room, at St. James's
1797
James Gillray Councellor Ego. - i.e.: - Little I, Myself, I.
James Gillray, 1756–1815
Councellor Ego. - i.e.: - Little I, Myself, I
1798
James Gillray -Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
James Gillray, 1756–1815
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
James Gillray Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1)
James Gillray, 1756–1815
Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1)
1798
James Gillray John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
James Gillray, 1756–1815
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
James Gillray Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1)
James Gillray, 1756–1815
Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1)
1798
James Gillray Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"
James Gillray, 1756–1815
Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"
1798
James Gillray Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
James Gillray, 1756–1815
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
James Gillray The Crown & Anchor - Libel, Burnt by the Public Hangman (from: Caricature, vol. 1)
James Gillray, 1756–1815
The Crown & Anchor - Libel, Burnt by the Public Hangman (from: Caricature, vol. 1)
1795
James Gillray What a Cur ' tis
James Gillray, 1756–1815
What a Cur ' tis
1795
James Gillray Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
James Gillray, 1756–1815
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
1795
James Gillray The Royal Society
James Gillray, 1756–1815
The Royal Society
1786
James Gillray The Prodigal Son
James Gillray, 1756–1815
The Prodigal Son
1787
James Gillray Love's Last Shift
James Gillray, 1756–1815
Love's Last Shift
1787
James Gillray Blindmans-Buff - or - Too Many for John Bull
James Gillray, 1756–1815
Blindmans-Buff - or - Too Many for John Bull
1795