Creator: Cumberland, George, 1754–1848 - YCBA Collections Search Search Results

1. Church Hope, the Island of Portland, Dorset

Creator:: George Cumberland, 1754–1848
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 5/8 inches (15.6 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Brockley Coombe, near Bristol

Creator:: George Cumberland, 1754–1848
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 3/8 × 9 inches (16.2 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Mr. W. Praed's tin washing mill in Cornwall, Trevethow

Creator:: George Cumberland, 1754–1848
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 9 inches (14.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Race Course at Bristol

Creator:: George Cumberland, 1754–1848
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 3/8 × 9 inches (16.2 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Entrance to Peak Cavern, or Devil's Hole, Castleton...

Creator:: George Cumberland, 1754–1848
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, sightly textured,cream wove paper
Dimensions:: Sheet: 5 7/8 × 8 3/4 inches (14.9 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Near Weston-Super-Mare with Steep Holme Island

Creator:: George Cumberland, 1754–1848
Date:: 1816
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 6 1/8 × 8 7/8 inches (15.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Pl. 13: `Psyche Repents'

Creator:: William Blake, 1757–1827
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Pl. 14: `Venus Councels Cupid'

Creator:: William Blake, 1757–1827
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Pl. 15: `The Conjugal Union of Cupid'

Creator:: William Blake, 1757–1827
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Pl. 16: `Cupid & Psyche'

Creator:: William Blake, 1757–1827
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Pl. 18: `Iron Age'

Creator:: William Blake, 1757–1827
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Pl. 19: `Aristophanes Clouds. Scene I'

Creator:: William Blake, 1757–1827
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Pl. 23: `Anacreon Ode LII'

Creator:: William Blake, 1757–1827
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Pl. 13: `Psyche Repents.'

Creator:: William Blake, 1757–1827
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Pl. 14: `Venus Counsels Cupid'

Creator:: William Blake, 1757–1827
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Pl. 19: `Aristophanes Clouds. Scene I'

Creator:: William Blake, 1757–1827
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Pl. 23: `Anacreon Ode LII'

Creator:: William Blake, 1757–1827
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Pl. 12: 'Psyche Disobeys'

Creator:: William Blake, 1757–1827
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Pl. 12: `Psyche Disobeys.'

Creator:: William Blake, 1757–1827
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Pl. 15: `The Conjugal Union of Cupid'

Creator:: William Blake, 1757–1827
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Pl. 16: `Cupid & Psyche'

Creator:: William Blake, 1757–1827
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: Attributed to George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etchings, bound in original boards
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etchings Bound in 1/8 brown calf, marbled boards
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Thoughts on Outline, Sculpture, and the System that Guided Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Some anecdotes of the life of Julio Bonasoni, a Bolognese artist ... : accompanied by a catalogue of the engravings ... of the works of that ... composer ... : to which is prefixed, A plan for the improvement of the arts in England / by George Cumberland ...

Creator:: Cumberland, George, 1754–1848
Date:: 1793
Physical Description:: 2 p.l., 100 p. ; 18 cm.
Collection:: Rare Books and Manuscripts

57. A poem on the landscapes of Great-Britain, dedicated to James Irvine, esq. at Rome, by George Cumberland. Written in the year 1780 ...With etchings by the author.

Creator:: Cumberland, George, 1754–1848
Date:: 1793
Physical Description:: 2 p.., 36 p. plate. 28 cm.
Collection:: Rare Books and Manuscripts

58. Lewina the maid of Snowdon. A tale. By George Cumberland. With etchings by the author.

Creator:: Cumberland, George, 1754–1848
Date:: 1793
Physical Description:: 1 p. ., 32 p., 1 leaf. plate. 28 cm.
Collection:: Rare Books and Manuscripts

59. An essay on the utility of collecting the best works of the ancient engravers of the Italian school; accompanied by A critical catalogue, with interesting anecdotes of the engravers, of a chronological series of rare and valuable prints, from the earliest practice of the art in Italy to the year 1549, now deposited in the British Museum and Royal Academy, in London, by George Cumberland ...

Creator:: Cumberland, George, 1754–1848
Date:: 1827
Physical Description:: vii, [1], 536, [4] p. front. (port.), fold. plates. 26 cm.
Collection:: Rare Books and Manuscripts

60. George Cumberland, 1754-1848 : painter, geologist, printmaker, agricultural experimentalist, critic, draughtsman, biographer, novelist, and friend of William Blake : Spring Exhibition, March 9- April 6, William Drummond, Covent Garden Gallery.

Creator:: Cumberland, George, 1754–1848
Date:: 1977
Physical Description:: 1 v. (unpaged) : ill. ; 20 x 29 cm.
Collection:: Reference Library

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Creator Cumberland, George, 1754–1848

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1. Church Hope, the Island of Portland, Dorset

2. Brockley Coombe, near Bristol

3. Mr. W. Praed's tin washing mill in Cornwall, Trevethow

4. The Race Course at Bristol

5. Entrance to Peak Cavern, or Devil's Hole, Castleton...

6. Near Weston-Super-Mare with Steep Holme Island

7. Pl. 13: `Psyche Repents'

8. Pl. 14: `Venus Councels Cupid'

9. Pl. 15: `The Conjugal Union of Cupid'

10. Pl. 16: `Cupid & Psyche'

11. Pl. 18: `Iron Age'

12. Pl. 19: `Aristophanes Clouds. Scene I'

13. Pl. 23: `Anacreon Ode LII'

14. Pl. 13: `Psyche Repents.'

15. Pl. 14: `Venus Counsels Cupid'

16. Pl. 19: `Aristophanes Clouds. Scene I'

17. Pl. 23: `Anacreon Ode LII'

18. Pl. 12: 'Psyche Disobeys'

19. Pl. 12: `Psyche Disobeys.'

20. Pl. 15: `The Conjugal Union of Cupid'

21. Pl. 16: `Cupid & Psyche'

22. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

23. Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...

24. Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...

25. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

26. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

27. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

28. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

29. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

30. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

31. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

32. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

33. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

34. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

35. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

36. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

37. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

38. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

39. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

40. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

41. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

42. Thoughts on Outline, Sculpture, and the System that Guided Ancient Artists

43. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

44. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

45. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

46. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

47. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

48. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

49. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

50. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

51. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

52. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

53. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

54. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

55. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

56. Some anecdotes of the life of Julio Bonasoni, a Bolognese artist ... : accompanied by a catalogue of the engravings ... of the works of that ... composer ... : to which is prefixed, A plan for the improvement of the arts in England / by George Cumberland ...

57. A poem on the landscapes of Great-Britain, dedicated to James Irvine, esq. at Rome, by George Cumberland. Written in the year 1780 ...With etchings by the author.

58. Lewina the maid of Snowdon. A tale. By George Cumberland. With etchings by the author.

60. George Cumberland, 1754-1848 : painter, geologist, printmaker, agricultural experimentalist, critic, draughtsman, biographer, novelist, and friend of William Blake : Spring Exhibition, March 9- April 6, William Drummond, Covent Garden Gallery.