The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform
1788
203
James Gillray, 1756–1815
Dido Forsaken, Sic Transit Gloria Regimae
1787
204
James Gillray, 1756–1815
Ancient Music
1787
205
James Gillray, 1756–1815
Monstrous Craws, At a New Coalition Feast
1787
206
James Gillray, 1756–1815
Design for the New Gallery of Busts and Pictures
1792
207
James Gillray, 1756–1815
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar
1792
208
James Gillray, 1756–1815
Malagrida, Driving Post
209
James Gillray, 1756–1815
French Democrats Surprizing the Royal-Runaways
1791
210
James Gillray, 1756–1815
The Bottomless-Pitt
1792
211
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
212
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
213
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
214
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
215
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
216
James Gillray, 1756–1815
No Flower that Blows, Is Like this Rose
1796
217
James Gillray, 1756–1815
Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined
1797
218
James Gillray, 1756–1815
St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone
1797
219
James Gillray, 1756–1815
United Irishmen Upon Duty
1798
220
James Gillray, 1756–1815
Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet
1798
221
James Gillray, 1756–1815
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing
1797
222
James Gillray, 1756–1815
Shrine at St. Ann's Hill
1798
223
James Gillray, 1756–1815
The Tree of Liberty
1797
224
James Gillray, 1756–1815
The Republican - Hercules Defending His Country
1797
225
James Gillray, 1756–1815
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton
1795
226
James Gillray, 1756–1815
Le Coup de Maitre
1797
227
James Gillray, 1756–1815
French - Telegraph Making Signals in the Dark
1795
228
James Gillray, 1756–1815
The Death of the Great Wolf
1795
229
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
230
James Gillray, 1756–1815
The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition
1795
231
James Gillray, 1756–1815
Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition
1795
232
James Gillray, 1756–1815
A Slice of Glo'ster Cheese
1795
233
James Gillray, 1756–1815
John Bull Ground Down
1795
234
James Gillray, 1756–1815
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1)
1798
235
James Gillray, 1756–1815
Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1)
1798
236
James Gillray, 1756–1815
The Crown & Anchor - Libel, Burnt by the Public Hangman (from: Caricature, vol. 1)
1795
237
James Gillray, 1756–1815
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
238
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
239
James Gillray, 1756–1815
Wha Wants Me?
1792
240
James Gillray, 1756–1815
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
1792
241
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
242
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
243
James Gillray, 1756–1815
The Finishing Touch
1791
244
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
245
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
246
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
247
James Gillray, 1756–1815
The Royal Academy
1786
248
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
249
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
250
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
251
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
252
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
253
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
254
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
255
James Gillray, 1756–1815
The Bubbles of Opposition
1788
256
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
257
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
258
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
259
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
260
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
261
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
262
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
263
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
264
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
265
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
266
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
267
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
268
James Gillray, 1756–1815
The Tottering Pyramid
1784
269
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
270
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
271
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
272
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
273
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
274
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
275
James Gillray, 1756–1815
A Uniform Whig ---
1791
276
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
277
James Gillray, 1756–1815
The Friendly Agent
1787
278
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
279
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
280
James Gillray, 1756–1815
John Bull Triumphant
1780
281
James Gillray, 1756–1815
The Triumphant Britons
1780
282
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
283
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
284
James Gillray, 1756–1815
Jack A Both Sides!
1783
285
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
286
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
287
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
288
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
289
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
290
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
291
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
292
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
293
James Gillray, 1756–1815
The Soliloquy
1782
294
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
295
James Gillray, 1756–1815
A Dash Up St. James's Street
1797
296
James Gillray, 1756–1815
Patern-Staff - Weymouth
1797
297
James Gillray, 1756–1815
Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister)
1794
298
James Gillray, 1756–1815
Pylades & Orestes (Stadtholder & His Secretary)
1797
299
James Gillray, 1756–1815
The Salute, - Vide, The Parade
1797
300
James Gillray, 1756–1815
The Tree of Liberty, - With The Devil Tempting John Bull (Fox)