Credit Line: Yale Center for British Art / Image Available: Available

201. Vanity Fair - Businessmen and Empire Builders. 'head of the greatest publishing home in Christendom'. Smith. 8 December 1904

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1904
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

202. Vanity Fair - Businessmen and Empire Builders. 'Peace' Sir Joseph Whitwell Peace, Bart. M.P. - 1 October 1887

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1887
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

203. Vanity Fair - Businessmen and Empire Builders. 'Bradford goods'. Sir Henry Mitchell, F.P.- 5 July 1890

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1890
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

204. Vanity Fair - Businessmen and Empire Builders. 'Glasgow.' Mr. Charles Tennant, M.P. - 9 June 1883

Creator:: unknown artist
Date:: 1883
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

205. Vanity Fair - Businessmen and Empire Builders. Statesmne no.146 'The King of Wales, Sir Watkins Williams-Wynn'. 14 June 1873

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1873
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

206. Vanity Fair - Clergy. 'The Revised Edition of the Bible'. Benjamin Harrison. 6 June 1885

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1885
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

207. Vanity Fair - Clergy. 'Philosophic Belief'. A.P. Stanley. 21 September 1872

Creator:: unknown artist
Date:: 1872
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

208. Vanity Fair - Clergy. 'He has displayed ability in the free handling of religious subjects, and nevertheless been made a Bishop.' Temple. 6 November 1869

Vanity Fair - Clergy. 'He has displayed ability in the free handling of religious subjects, and nevertheless been made a Bishop.' Temple. 6 November 1869

Creator:: unknown artist
Date:: 1869
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

209. Vanity Fair - Clergy. 'Westminster'. Rev. William Gunion Rutherford. Head Master of Westminster School. 3 March 1898

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1898
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

210. Vanity Fair - Clergy. 'Calcutta'. James Edward Cowell Welldon. 17 November 1898

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1898
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

211. Vanity Fair - Clergy. 'The Chaplain'. Archdeacon Wilberforce. One of a set.

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1909
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

212. Vanity Fair - Clergy. 'Truro' Howard Wilkinson, Bishop of Truro.

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1885
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

213. St. Savior's Church, Haverstock Hill. View from the South West.

Creator:: unknown artist
Date:: undated
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

214. Mr. Sparrow's House, Ipswich

Creator:: unknown artist
Date:: 1829
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

215. Spetchley Worcestershire

Creator:: unknown artist
Date:: undated
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

216. Woodman's Lodge to Hadzor House (reproduction)

Creator:: unknown artist
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

217. The Duke of Brunswick Attacking the Rear of the Sans Culottes

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 1/2 x 17in. (26.7 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

218. A Visit to the R---l Cole Pit

Creator:: Richard Newton, 1777–1798
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/4 x 13in. (21 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

219. The Libertine Reclaim'd or John Bull Bullied

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

220. Arming in the Defence of the French Princes or the Parting of Hector and Andromache

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 x 14 1/2in. (33 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

221. Prussian Bobadils, Returning to Berlin!!!!!!!

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 5/8 x 16 7/8in. (27 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

222. Evacuation of Holland, or, Fire and Water Too Much for Dumourier.

Creator:: William Dent, active 1784–1793
Date:: 1793
Materials & Techniques:: Etching with watercolor on laid paper
Dimensions:: Sheet: 9 7/8 x 13 11/16in. (25.1 x 34.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

223. Friar Bacon and His Brazen Head

Creator:: Richard Newton, 1777–1798
Date:: 1794
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 3/4 x 9 7/8in. (27.3 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

224. Essay on Duelling - Anglice Doing = Him!

Creator:: Samuel Collings, active 1784–1795
Date:: 1789
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/4 x 23 3/8in. (21 x 59.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

225. The Prussian Prize-fighter and his Allies attempting to tame Imperial Kate, or, The State of the European Bruisers.

Creator:: William Dent, active 1784–1793
Date:: 1791
Materials & Techniques:: Etching with watercolor on wove paper
Dimensions:: Sheet: 7 5/8 x 22 3/16in. (19.4 x 56.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

226. Modern Marriage A La Mode Sweet Fruits of the Third Honey Moon!!

Creator:: Isaac Cruikshank, 1764–1811
Date:: ca. 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 1/16 x 15 5/16in. (28.1 x 38.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

227. A Brace of Blessings

Creator:: Attributed to Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/16 x 12 13/16in. (21.4 x 32.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

228. A Brace of Blessings

Creator:: Attributed to Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/16 x 12 13/16in. (21.4 x 32.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

229. A Discharged Fifer

Creator:: Attributed to Richard Dighton, 1795–1880
Date:: ca. 1821
Materials & Techniques:: Hand-colored etching on wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

230. The Messenger of Peace

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 3/16 x 16 9/16in. (28.4 x 42.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

231. The Grand Review on Sydenham Common

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 3/8 x 17 3/4in. (28.9 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

232. Resignation the Greatest of all Virtues

Creator:: Print made by Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 15/16 x 13 1/8in. (22.7 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

233. Saint Catharine and St. George

Creator:: Attributed to Isaac Cruikshank, 1764–1811
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 7/8 x 15 7/8in. (25.1 x 40.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

234. The Rape of Helen

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/8 x 14 1/8in. (24.4 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

235. One of the Family!

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 15/16 x 9 1/4in. (30.3 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

236. Symptoms of Affection, Or - A Specimen of Martial Prowess

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 14 11/16in. (22.2 x 37.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

237. Opening the Sluices, Or, - Hollands Last Shift

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1794
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 13/16 x 13 1/4in. (22.4 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

238. The Rival Pigs

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 11/16 x 14 3/16in. (22.1 x 36cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

239. A Worthy Alderman and his Friends Canvasing or Strong Recommendations for a Member of Parliament

Creator:: Print made by Isaac Cruikshank, 1764–1811
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/16 x 12 9/16in. (20.8 x 31.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

240. The Present State of Europe, Or - John Bull on his Last Legs

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/8 x 13 1/4in. (21.9 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

241. The Political Locust

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/4 x 14 1/16in. (24.8 x 35.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

242. The Genius of France Extirpating Despo-tism Tyranny and Oppression from the Face of the Earth, Or - The Royal Warriors Defeated

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 7/8 x 14 7/16in. (25.1 x 36.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

243. How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water

Creator:: Print made by Isaac Cruikshank, 1764–1811
Date:: 1793
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 15 3/4in. (22.9 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

244. Bless Thee Bottom, Bless Thee-Thou Art Translated

Creator:: Attributed to Isaac Cruikshank, 1764–1811
Date:: 1794
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 7/16 x 8 3/8in. (24 x 21.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

245. A Delitanti Performance of Midas at Turnbridge Wells, October 1792

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 9/16 x 15 3/16in. (21.7 x 38.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

246. A Lack Water Canal

Creator:: Print made by unknown artist
Date:: 1794
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 6 3/4 x 9 3/8in. (17.1 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

247. Sedition, Levelling and Plundering

Creator:: Print made by Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13 1/16in. (22.2 x 33.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

248. A Peace Offering to the Genius of Liberty and Equality

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1794
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/2 x 14 13/16in. (24.1 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

249. The New Prussian Exercise, Or - The Allied Armies Distressed in their Rears with a Hint at the Convenience of Sans Culottes

Creator:: Print made by Isaac Cruikshank, 1764–1811
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/16 x 15 1/4in. (21.4 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

250. Eton College

Creator:: unknown artist
Date:: undated
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

251. Interview and Consultation for Discharge of Debts, or, C-RL-T-N House in Want of Necessary Furniture

Creator:: Print made by William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Etching with watercolor on laid paper
Dimensions:: Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

252. Call of The [House], or, Slave Trade in a Land of Liberty

Creator:: William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Etching with watercolor on laid paper
Dimensions:: Sheet: 9 13/16 x 13 9/16in. (24.9 x 34.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

253. A National Beggar On Horseback, Or, An Illustrious Overshot At Newmarket...

Creator:: Print made by William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Line engraving with water color on laid paper
Dimensions:: Sheet: 8 3/8 x 11 5/8in. (21.3 x 29.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

254. Royal Masquerade, or, the European Plotters discovered and defeated and the Ex-Princes Crost in their Masked design against Liberty

Creator:: Print made by William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Line engraving with watercolor on laid paper
Dimensions:: Sheet: 9 1/4 x 15 11/16in. (23.5 x 39.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

255. Road to Riches and delightfull Parts, Or, The Recruiting Officers [?] Matrimonial Trip to the Continent.

Creator:: Print made by William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Line engraving with watercolor on laid paper
Dimensions:: Sheet: 10 x 13 7/8in. (25.4 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

256. The Imperial Quixote and Generalissimo Sancho's Grand, Joyfull and Triumphant return to Germany after the Conquest of France

Creator:: Print made by William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Etching with watercolor on laid paper
Dimensions:: Sheet: 8 1/2 x 15in. (21.6 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

257. New Reformers, Or Corporal Bardolph's New-Raised Corps of Active Citizens

Creator:: Print made by William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Etching with watercolor on laid paper
Dimensions:: Sheet: 10 x 16 5/16in. (25.4 x 41.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

258. A Jord-n for the Duke's Chamber

Creator:: Print made by William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Etching with watercolor on laid paper
Dimensions:: Sheet: 6 7/8 x 10 3/4in. (17.5 x 27.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

259. The Recruiting Officer, Or, A Matrimonial Trip to the Continent.

Creator:: William Dent, active 1784–1793
Date:: 1791
Materials & Techniques:: Etching with watercolor on laid paper
Dimensions:: Sheet: 9 5/8 x 13 9/16in. (24.4 x 34.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

260. An Alarming Anniversary!!! or, King's Champion and 'Squire, Alamode Don Quixote and Sancho, taking a peep at the [Crown] and [Anchor]

Creator:: William Dent, active 1784–1793
Date:: 1791
Materials & Techniques:: Etching with watercolor on laid paper
Dimensions:: Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

261. Election Expenses paid under the Rose, or, The Faithful and Blessed Performance of a Promising Treasurer, and Moderate Secretary - Addressed to those who feel the weight of excessive taxes in general, and the independent electors of Westminster ....

Election Expenses paid under the Rose, or, The Faithful and Blessed Performance of a Promising Treasurer, and Moderate Secretary - Addressed to those who feel the weight of excessive taxes in general, and the independent electors of Westminster ....

Creator:: William Dent, active 1784–1793
Date:: 1791
Materials & Techniques:: Etching with watercolor on laid paper
Dimensions:: Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

262. Beauties of a Gracious Speech, Or, Nuptial Introduction to John Bull, Or coming York over us.

Creator:: Print made by William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Etching with watercolor on laid paper
Dimensions:: Sheet: 9 7/8 x 13 9/16in. (25.1 x 34.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

263. Spirit of Aristocracy enforcing Reform, Or, The Rights of Kings maintained

Creator:: Print made by William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Etching with watercolor on laid paper
Dimensions:: Sheet: 10 1/8 x 16 1/2in. (25.7 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

264. Rare News from India, or, Things going on Swimmingly in the East

Creator:: William Dent, active 1784–1793
Date:: 1791
Materials & Techniques:: Etching with watercolor on laid paper
Dimensions:: Sheet: 9 3/4 x 13 5/8in. (24.8 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

265. The Humbug or an Attempt at Tragedy with the Jordan (struck through and replaced by) Joram Upsett

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/4 x 15 1/2in. (23.5 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

266. No Swallow without an Opening

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 1/4 x 19 1/2in. (31.1 x 49.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

267. The Terrifying Comet Or Modern Planetary System

Creator:: William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Aquatint with colored impression
Dimensions:: Sheet: 9 3/4 x 13 3/4in. (24.8 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

268. Contributing to the Sinking Fund

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 7/8 x 16 3/4in. (30.2 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

269. The Quarrel between the Political Builders, Or, Opinions Diametrically Opposite

Creator:: Attributed to George Townshend, 1724–1807
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 1/4 x 14 1/2in. (26 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

270. Vanity Fair - Chancellors of Exchequer. 'A scagliola apollo' Beach. 22 August 1874

Creator:: Carlo Pellegrini, 1839–1889
Date:: 1874
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

271. Vanity Fair - Clergy. 'Lay Episcopacy'. Lord Crewe. 7 January 1882

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1882
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

272. Vanity Fair - Clergy. 'St. Pauls.' Rev. Richards W. Church. 30 January 1886

Creator:: Liborio Prosperi, 1854–1928
Date:: 1886
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

273. Vanity Fair - Chancellors of Exchequer. 'In the winning Crew'. Mr. R. McKenna, M.P.

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1906
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

274. Vanity Fair - Clergy. 'The Primate'. Rev. Edward W. Benson. 30 July 1887

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1887
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

275. Vanity Fair - Clergy. 'A wet Quaker' Lewis Llewwellyn Dillwyn M.P. - 13 May 1882

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1882
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

276. Vanity Fair - Clergy. 'Chester Square'. Rev. James Fleming. 20 June 1899

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1899
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

277. Vanity Fair - Clergy. Men of the Day, no. 45 'Come to Jesus'. Hall. 23 November 1872

Creator:: unknown artist
Date:: 1872
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

278. Vanity Fair - Clergy. 'St. Margaret's'. The Rev. Hensley Henson. 1910-12

Creator:: unknown artist
Date:: 1910-1912
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

279. Vanity Fair - Clergy. 'Greek'. Rev. Benjamin Jowett. 26 February 1876

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1876
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

280. Vanity Fair - Clergy. 'He makes religion a tragedy, and the movement of his muscles a solemn ceremony.' Mackonchie. 31 December 1870

Creator:: Carlo Pellegrini, 1839–1889
Date:: 1870
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

281. Vanity Fair - Clergy. 'High Church'. Rev. Cary Liddon. 16 September 1876

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1876
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

282. Vanity Fair - Clergy. 'The noblest of English names.' Earn Nelson. 16 April 1881

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1881
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

283. Vanity Fair - Clergy. 'Tracts for the times'. Cardinal Newman. 20 January 1877

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1877
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

284. Vanity Fair - Clergy. 'Not a brawler.' Bishop of Oxford. 24 July 1869

Creator:: Carlo Pellegrini, 1839–1889
Date:: 1869
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

285. Vanity Fair - Clergy. 'High Church' Pusey. 2 January 1875

Creator:: Carlo Pellegrini, 1839–1889
Date:: 1875
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

286. Vnaity Fair - Clergy. 'Congregational Union'. Rev. Joseph Parker. 19 April 1884

Creator:: Carlo Pellegrini, 1839–1889
Date:: 1884
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

287. Vanity Fair - Clergy. 'A man Right Reverend and Well-Beloved'. The Bishop of Ripon. William Boyd Carpenter.

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1906
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

288. Vanity Fair - Clergy. 'Tolerance'. Rev. Edgar Jacob, Bishop of St. Albans. 26 September 1906

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1906
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

289. Vanity Fair - Clergy. 'Liverpool'. Rev. John Charles Ryle, Bishop of Liverpool. 26 March 1881

Creator:: Carlo Pellegrini, 1839–1889
Date:: 1881
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

290. Vanity Fair - Clergy. 'Southwell'. Rev. George Ridding, Bishop of Southwell. 15 August 1901

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1901
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

291. Vanity Fair - Clergy. 'No one has suceeded like him in sketching the comic side of repentance and regeneration'. Charles Spurgeon. 10 December 1870

Vanity Fair - Clergy. 'No one has suceeded like him in sketching the comic side of repentance and regeneration'. Charles Spurgeon. 10 December 1870

Creator:: Carlo Pellegrini, 1839–1889
Date:: 1870
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

292. Vanity Fair - Clergy. 'Rochester' Edward Stuart Talbot. 21 April 1904

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1904
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

293. Vanity Fair - Clergy. 'The Christian martyr'. Rev. Arthur Tooth. 10 February 1877

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1877
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

294. Vanity Fair - Clergy. 'Prayers'. Rev. Henry White. 26 December 1874

Creator:: Carlo Pellegrini, 1839–1889
Date:: 1874
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

295. Vanity Fair - Clergy. 'A Bishop of Decision'. Rev. Cosmo Gordon Lang. 19 April 1906

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1906
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

296. Vanity Fair - Clergy. 'Prelate of the Garter'. Randall Thomas Davidson, Bishop of Winchester. 19 December 1901

Creator:: Leslie Matthew 'Spy' Ward, 1851–1922
Date:: 1901
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

297. Set of four [Foxhunting]: 1. Going out

Creator:: unknown artist
Date:: 1817
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 8 1/4 x 11 1/4in. (21 x 28.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

298. [Hare hunting and coursing] Six subjects on one sheet

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 10 1/8 x 13 7/8in. (25.7 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

299. Various Engravings of York Cathedral

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

300. Various Engravings of York Cathedral

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 17 3/4in. (33.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

YCBA Collections Search

Refine your search

Search Constraints

Credit Line Yale Center for British Art

Image Available Available

Search Results

201. Vanity Fair - Businessmen and Empire Builders. 'head of the greatest publishing home in Christendom'. Smith. 8 December 1904

202. Vanity Fair - Businessmen and Empire Builders. 'Peace' Sir Joseph Whitwell Peace, Bart. M.P. - 1 October 1887

203. Vanity Fair - Businessmen and Empire Builders. 'Bradford goods'. Sir Henry Mitchell, F.P.- 5 July 1890

204. Vanity Fair - Businessmen and Empire Builders. 'Glasgow.' Mr. Charles Tennant, M.P. - 9 June 1883

205. Vanity Fair - Businessmen and Empire Builders. Statesmne no.146 'The King of Wales, Sir Watkins Williams-Wynn'. 14 June 1873

206. Vanity Fair - Clergy. 'The Revised Edition of the Bible'. Benjamin Harrison. 6 June 1885

207. Vanity Fair - Clergy. 'Philosophic Belief'. A.P. Stanley. 21 September 1872

208. Vanity Fair - Clergy. 'He has displayed ability in the free handling of religious subjects, and nevertheless been made a Bishop.' Temple. 6 November 1869

209. Vanity Fair - Clergy. 'Westminster'. Rev. William Gunion Rutherford. Head Master of Westminster School. 3 March 1898

210. Vanity Fair - Clergy. 'Calcutta'. James Edward Cowell Welldon. 17 November 1898

211. Vanity Fair - Clergy. 'The Chaplain'. Archdeacon Wilberforce. One of a set.

212. Vanity Fair - Clergy. 'Truro' Howard Wilkinson, Bishop of Truro.

213. St. Savior's Church, Haverstock Hill. View from the South West.

214. Mr. Sparrow's House, Ipswich

215. Spetchley Worcestershire

216. Woodman's Lodge to Hadzor House (reproduction)

217. The Duke of Brunswick Attacking the Rear of the Sans Culottes

218. A Visit to the R---l Cole Pit

219. The Libertine Reclaim'd or John Bull Bullied

220. Arming in the Defence of the French Princes or the Parting of Hector and Andromache

221. Prussian Bobadils, Returning to Berlin!!!!!!!

222. Evacuation of Holland, or, Fire and Water Too Much for Dumourier.

223. Friar Bacon and His Brazen Head

224. Essay on Duelling - Anglice Doing = Him!

225. The Prussian Prize-fighter and his Allies attempting to tame Imperial Kate, or, The State of the European Bruisers.

226. Modern Marriage A La Mode Sweet Fruits of the Third Honey Moon!!

227. A Brace of Blessings

228. A Brace of Blessings

229. A Discharged Fifer

230. The Messenger of Peace

231. The Grand Review on Sydenham Common

232. Resignation the Greatest of all Virtues

233. Saint Catharine and St. George

234. The Rape of Helen

235. One of the Family!

236. Symptoms of Affection, Or - A Specimen of Martial Prowess

237. Opening the Sluices, Or, - Hollands Last Shift

238. The Rival Pigs

239. A Worthy Alderman and his Friends Canvasing or Strong Recommendations for a Member of Parliament

240. The Present State of Europe, Or - John Bull on his Last Legs

241. The Political Locust

242. The Genius of France Extirpating Despo-tism Tyranny and Oppression from the Face of the Earth, Or - The Royal Warriors Defeated

243. How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water

244. Bless Thee Bottom, Bless Thee-Thou Art Translated

245. A Delitanti Performance of Midas at Turnbridge Wells, October 1792

246. A Lack Water Canal

247. Sedition, Levelling and Plundering

248. A Peace Offering to the Genius of Liberty and Equality

249. The New Prussian Exercise, Or - The Allied Armies Distressed in their Rears with a Hint at the Convenience of Sans Culottes

250. Eton College

251. Interview and Consultation for Discharge of Debts, or, C-RL-T-N House in Want of Necessary Furniture

252. Call of The [House], or, Slave Trade in a Land of Liberty

253. A National Beggar On Horseback, Or, An Illustrious Overshot At Newmarket...

254. Royal Masquerade, or, the European Plotters discovered and defeated and the Ex-Princes Crost in their Masked design against Liberty

255. Road to Riches and delightfull Parts, Or, The Recruiting Officers [?] Matrimonial Trip to the Continent.

256. The Imperial Quixote and Generalissimo Sancho's Grand, Joyfull and Triumphant return to Germany after the Conquest of France

257. New Reformers, Or Corporal Bardolph's New-Raised Corps of Active Citizens

258. A Jord-n for the Duke's Chamber

259. The Recruiting Officer, Or, A Matrimonial Trip to the Continent.

260. An Alarming Anniversary!!! or, King's Champion and 'Squire, Alamode Don Quixote and Sancho, taking a peep at the [Crown] and [Anchor]

261. Election Expenses paid under the Rose, or, The Faithful and Blessed Performance of a Promising Treasurer, and Moderate Secretary - Addressed to those who feel the weight of excessive taxes in general, and the independent electors of Westminster ....

262. Beauties of a Gracious Speech, Or, Nuptial Introduction to John Bull, Or coming York over us.

263. Spirit of Aristocracy enforcing Reform, Or, The Rights of Kings maintained

264. Rare News from India, or, Things going on Swimmingly in the East

265. The Humbug or an Attempt at Tragedy with the Jordan (struck through and replaced by) Joram Upsett

266. No Swallow without an Opening

267. The Terrifying Comet Or Modern Planetary System

268. Contributing to the Sinking Fund

269. The Quarrel between the Political Builders, Or, Opinions Diametrically Opposite

270. Vanity Fair - Chancellors of Exchequer. 'A scagliola apollo' Beach. 22 August 1874

271. Vanity Fair - Clergy. 'Lay Episcopacy'. Lord Crewe. 7 January 1882

272. Vanity Fair - Clergy. 'St. Pauls.' Rev. Richards W. Church. 30 January 1886

273. Vanity Fair - Chancellors of Exchequer. 'In the winning Crew'. Mr. R. McKenna, M.P.

274. Vanity Fair - Clergy. 'The Primate'. Rev. Edward W. Benson. 30 July 1887