Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister)
1794
202
James Gillray, 1756–1815
Le Coup de Maitre
1797
203
James Gillray, 1756–1815
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing
1797
204
James Gillray, 1756–1815
Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet
1798
205
James Gillray, 1756–1815
The Tree of Liberty
1797
206
James Gillray, 1756–1815
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton
1795
207
James Gillray, 1756–1815
The Death of the Great Wolf
1795
208
James Gillray, 1756–1815
The Republican - Hercules Defending His Country
1797
209
James Gillray, 1756–1815
French - Telegraph Making Signals in the Dark
1795
210
James Gillray, 1756–1815
Corpor(e)al (!) Stamina
1801
211
James Gillray, 1756–1815
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land
1795
212
James Gillray, 1756–1815
The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition
1795
213
James Gillray, 1756–1815
The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France
1795
214
James Gillray, 1756–1815
Presages of the Millenium
1795
215
James Gillray, 1756–1815
Loyal Souls; - or - A Peep into the Mess-Room, at St. James's
1797
216
James Gillray, 1756–1815
A Slice of Glo'ster Cheese
1795
217
James Gillray, 1756–1815
Portrait of an Irish Chief; Drawn from Life at Wexford
1798
218
James Gillray, 1756–1815
Copenhagen House
1795
219
James Gillray, 1756–1815
Councellor Ego. - i.e.: - Little I, Myself, I
1798
220
James Gillray, 1756–1815
The Crown & Anchor - Libel, Burnt by the Public Hangman (from: Caricature, vol. 1)
1795
221
James Gillray, 1756–1815
What a Cur ' tis
1795
222
James Gillray, 1756–1815
Blindmans-Buff - or - Too Many for John Bull
1795
223
James Gillray, 1756–1815
The Noble Sans - Culotte
1794
224
James Gillray, 1756–1815
Love's Last Shift
1787
225
James Gillray, 1756–1815
The Prodigal Son
1787
226
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
227
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
228
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
229
James Gillray, 1756–1815
Les Trois Magots
1791
230
James Gillray, 1756–1815
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
231
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
232
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
233
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
234
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
235
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
236
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
237
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
238
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
239
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
240
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
241
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
242
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
243
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
244
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
245
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
246
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
247
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
248
James Gillray, 1756–1815
A Man of Importance
1799
249
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
250
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
251
James Gillray, 1756–1815
Independence
1799
252
James Gillray, 1756–1815
A Portrait ------------
1799
253
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
254
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
255
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
256
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
257
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
258
James Gillray, 1756–1815
Patience on a Monument
1791
259
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
260
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
261
James Gillray, 1756–1815
The Friendly Agent
1787
262
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
263
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
264
James Gillray, 1756–1815
The Bubbles of Opposition
1788
265
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
266
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
267
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
268
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
269
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
270
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
271
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
272
James Gillray, 1756–1815
The Legacy
1786
273
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
274
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
275
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
276
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
277
James Gillray, 1756–1815
The Republican - Attack
1795
278
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
279
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
280
James Gillray, 1756–1815
Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"
1798
281
James Gillray, 1756–1815
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
282
James Gillray, 1756–1815
A Hackney Meeting
1796
283
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
284
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
285
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
286
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
287
Thomas Rowlandson, 1756–1827
Filial Piety
1788
288
James Gillray, 1756–1815
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests
1798
289
James Gillray, 1756–1815
The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)
1796
290
James Gillray, 1756–1815
The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"
1791
291
James Gillray, 1756–1815
St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone
1797
292
James Gillray, 1756–1815
Meeting of - Unfortunate Citoyens. " Dismay of Two Disgraced Patriots"
1798
293
James Gillray, 1756–1815
Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined
1797
294
James Gillray, 1756–1815
To Be Paid For - The Dog Tax
1796
295
James Gillray, 1756–1815
No Flower that Blows, Is Like this Rose
1796
296
James Gillray, 1756–1815
United Irishmen in Training
1798
297
James Gillray, 1756–1815
Leaving off Powder, - or - a Frugal Family Saving the Guinea
1795
298
James Gillray, 1756–1815
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
299
James Gillray, 1756–1815
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes