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Period 18th century

Remove constraint Period: 18th century

Creator Gillray, James, 1756–1815

Remove constraint Creator: Gillray, James, 1756–1815

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unknown artist Four Figures on a Sheet
unknown artist
Four Figures on a Sheet
undated
James Gillray Sophia, Honour, and the Chambermaid
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
James Gillray The Fall of the Wolsey of the Woolsack
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
James Gillray Committee of Grievances and Apprehensions
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
James Gillray The Bubbles of Opposition
James Gillray, 1756–1815
The Bubbles of Opposition
1788
James Gillray A New Administration, or - The State Quacks Administring
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
James Gillray The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-.
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
James Gillray John Bull Triumphant
James Gillray, 1756–1815
John Bull Triumphant
1780
James Gillray The Triumphant Britons
James Gillray, 1756–1815
The Triumphant Britons
1780
James Gillray Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
James Gillray Ah, Grant A Me Von Letel Bite
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
James Gillray The R't Hon'ble Catch Singers
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
James Gillray A Block for the Wigs - or, The New State Whirligig
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
James Gillray Jack A Both Sides!
James Gillray, 1756–1815
Jack A Both Sides!
1783
James Gillray Destruction of the French Collossus
James Gillray, 1756–1815
Destruction of the French Collossus
1798
James Gillray Extirpation of the Plagues of Egypt
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
James Gillray Buonaparte Leaving Egypt
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
James Gillray Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
James Gillray And The' - Tisick, - The Colic, Punch Cures The Gout
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
James Gillray A Portrait ------------
James Gillray, 1756–1815
A Portrait ------------
1799
James Gillray Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
James Gillray A Hackney Meeting
James Gillray, 1756–1815
A Hackney Meeting
1796
James Gillray Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
James Gillray The Grand-Signior Retiring
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
James Gillray The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
James Gillray Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
James Gillray Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
James Gillray John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
James Gillray The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe.
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
James Gillray The High German Method of Destroying Vermin at Rat-Stadt
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
James Gillray Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
James Gillray The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
James Gillray Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
James Gillray French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
James Gillray Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
James Gillray Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
James Gillray Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended...
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
James Gillray New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
James Gillray The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
James Gillray The Leadenhall Volunteer, Drest in his Shawl
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
James Gillray The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
James Gillray The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
James Gillray The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
James Gillray Field Marshall Count Suwarrow-Rominskoy ---
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
James Gillray A Man of Importance
James Gillray, 1756–1815
A Man of Importance
1799
James Gillray Homer Singing His Verses to the Greeks
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
James Gillray Independence
James Gillray, 1756–1815
Independence
1799
James Gillray Fashionable - Jockeyship
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
James Gillray Patience on a Monument
James Gillray, 1756–1815
Patience on a Monument
1791
James Gillray Hint to Modern Sculptors, as an Ornament to a Future Square ---
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
James Gillray The - Battle Royal, or Who Wears the Breeches
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
James Gillray A Uniform Whig ---
James Gillray, 1756–1815
A Uniform Whig ---
1791
James Gillray A Witch, Upon a Mount's Edge - Vide: Fuzelli
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
James Gillray A Natural Crop; - Alias - A Norfolk Dumpling
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
James Gillray Which is the Better Man or The Pot Calls the Kettle Blacka-e
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
James Gillray A Sun Setting in a Fog, With The Old Hanover Hack Descending
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
James Gillray The Royal Academy
James Gillray, 1756–1815
The Royal Academy
1786
James Gillray The April Fool or The Follies of a Night ---
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
James Gillray Gloria Mundi, or - The Devil Addressing the Sun
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
James Gillray Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
James Gillray Gloria Mundi, or The Devil Addressing the Sun
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
James Gillray Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
James Gillray The Friendly Agent
James Gillray, 1756–1815
The Friendly Agent
1787
James Gillray A Warm Birth for the Old Administration -----
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
James Gillray The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
James Gillray A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It...
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
James Gillray Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc.
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
James Gillray Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
James Gillray Evacuation Before Resignation
James Gillray, 1756–1815
Evacuation Before Resignation
1782
James Gillray Evacuation Before Resignation
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
James Gillray Two New Sliders for the State Magic Lanthern
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
James Gillray The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
James Gillray The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
James Gillray Paille d'Avoine - Paille d'Avoine
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
James Gillray The Loves of the Fox and the Badger, - or The Coalition Wedding
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
James Gillray The Loves of the Fox and the Badger, - or The Coalition Wedding
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
James Gillray Swearing to the Cutting Monster or - A Scene in Bow Street
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
James Gillray The Sick Prince
Print made by James Gillray, 1756–1815
The Sick Prince
1787
James Gillray The Doctor Indulged with his Favorite Scene ---
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
James Gillray The (Prince's) Nursery or Nine Months After
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
James Gillray The Tottering Pyramid
James Gillray, 1756–1815
The Tottering Pyramid
1784
James Gillray The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
James Gillray The Funeral Procession of Miss Regency
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
James Gillray The Battle of Bow-Street
James Gillray, 1756–1815
The Battle of Bow-Street
1788
James Gillray A Modern Cherub, - Vide Peters
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
James Gillray Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
James Gillray Scene Le Vrog House
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
James Gillray A Coalition of Parties, Give Justice Her Claims
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
James Gillray The Minister In - The Minister Out
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
James Gillray Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
James Gillray The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
James Gillray The Prince at Grass --- The Prince in Clover
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
James Gillray Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
James Gillray The Soliloquy
James Gillray, 1756–1815
The Soliloquy
1782
James Gillray The Dutch Divisions
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
James Gillray The Fall of Dagon - or Rare News for Leaden-Hall Street
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
James Gillray The Butchers of Freedom
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
James Gillray The English Regency
James Gillray, 1756–1815
The English Regency
1789
James Gillray Mason, The Duke's Confectioner Disposing of the Trinkets
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
James Gillray John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789