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Materials & Techniques wove paper

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Credit Line Yale Center for British Art; Yale University Art Gallery Collection

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The Invasion, Plate II, England
Creator:
after William Hogarth, 1697–1764
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
after William Hogarth, 1697–1764
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
after William Hogarth, 1697–1764
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
after William Hogarth, 1697–1764
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
after William Hogarth, 1697–1764
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
after William Hogarth, 1697–1764
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Concert Ticket, Mary's Chappel
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Concert Ticket, Mary's Chappel
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Satire on False Perspective
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Industry and Idleness, Plate VIII, The Industrious 'Prentice Grown Rich, and Sheriff of London
Creator:
after William Hogarth, 1697–1764
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Industry and Idleness, Plate XI, The Idle 'Prentice Executed at Tyburn
Creator:
after William Hogarth, 1697–1764
Date:
1768
Materials & Techniques:
Etching and line engravng on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Industry and Idleness, Plate IX, The Idle 'Prentice Betrayed by a Prostitute
Creator:
after William Hogarth, 1697–1764
Date:
1833
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Frontispiece to Hogarth's Works, The Milk Maid
Creator:
after William Hogarth, 1697–1764
Date:
1850
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Invasion, Plate II, England
Creator:
after William Hogarth, 1697–1764
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Auction of Pictures, &c.
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Marriage à la Mode, Plate I, The Contract
Creator:
after William Hogarth, 1697–1764
Date:
1833
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Auction of Pictures, &c.
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Frontispiece to Leveridge's Songs
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Distressed Poet
Creator:
after William Hogarth, 1697–1764
Date:
1833
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Country Inn Yard
Creator:
after William Hogarth, 1697–1764
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

21. None

None
Creator:
after William Hogarth, 1697–1764
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Invasion, Plate I, France
Creator:
William Hogarth, 1697–1764
Date:
1768
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
after William Hogarth, 1697–1764
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
after William Hogarth, 1697–1764
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
after William Hogarth, 1697–1764
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Concert Ticket, Mary's Chappel
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Concert Ticket, Mary's Chappel
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Concert Ticket, Mary's Chappel
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Concert Ticket, Mary's Chappel
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Concert Ticket, Mary's Chappel
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Industry and Idleness, Plate VII, The Idle 'Prentice Returned from Sea, and in a Garret with a Prostitute
Creator:
after William Hogarth, 1697–1764
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Satire on False Perspective
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Industry and Idleness, Plate X, The Industrious 'Prentice Alderman of London, the Idle One Impeach'd before Him by His Accomplice
Creator:
after William Hogarth, 1697–1764
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Plate 12, The Industrious 'Prentice Lord-Mayor of London
Creator:
Print made by F. F. Walker, active 1805–1836
Date:
1833
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 3/4 inches (20.3 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Garrick in the Green Room
Creator:
William Ward, 1766–1826
Date:
1829
Materials & Techniques:
Mezzotint on moderately thick, smooth, cream wove paper mounted on canvas
Dimensions:
Sheet: 22 7/8 × 27 inches (58.1 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Triumph of Cupid: A Reverie
Creator:
Print made by George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/8 × 6 1/2 inches (24.5 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Light House at Havre
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1803
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 × 12 5/8 inches (25.7 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Windsor Castle in the Reign of Queen Elizabeth, engraved for Gentleman's Magazine
Creator:
Print made by John Swaine, 1775–1860
Date:
1850
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 9/16 × 8 3/4 inches (14.1 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Windsor Castle in the Reign of Queen Elizabeth, engraved for Gentleman's Magazine
Creator:
Print made by John Swaine, 1775–1860
Date:
1849
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 8 3/4 inches (14 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Remaining Tower of Cardinal Wolsey's Palace at Esher in the Domain of John Spicer. Esq.
Creator:
Print made by George Cooke, 1781–1834
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
National Assembly, Paris
Creator:
Print made by unknown artist
Date:
1795
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 9 inches (15.2 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Norma Dispatching the Provisions
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1838
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Worms Cathedral
Creator:
Print made by John Woods, active 1836–1860
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Pencarrow: The Seat of Lady Molesworth
Creator:
Print made by unknown artist
Date:
1826
Materials & Techniques:
Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Leeds Castle, Kent
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Burghley House: Seat of the Marquis of Exeter
Creator:
Print made by unknown artist
Date:
1825
Materials & Techniques:
Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Hawley House: The Residence of T. Champion Esq.
Creator:
Print made by unknown artist
Date:
1828
Materials & Techniques:
Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
DuMaurier's House, Hampstead Heath
Date:
1896
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Luscombe, Seat of Charles Hoare, Esquire
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Sir John Evelyn's Plan for Rebuilding the City of London after the Great Fire in 1666
Creator:
Print made by unknown artist
Date:
1775
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Clarendon House
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1798
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Kelso and Dryburgh
Creator:
Print made by William Home Lizars, 1788–1859
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Hotel de Ville, Ghent
Creator:
Print made by Albert Henry Payne, 1812–1902
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

54. The Study

The Study
Creator:
Print made by J. Rogers, active ca.1825–ca.1842
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Students' Life in Germany, The Duellist
Creator:
Print made by Albert Henry Payne, 1812–1902
Date:
1846
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Students' Life in Germany, The Prince of Fools
Creator:
Print made by Albert Henry Payne, 1812–1902
Date:
1846
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Students' Life in Germany, Landesvater
Date:
1846
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Temple Buildings in 1720, from Brayley's Londoniana"
Creator:
Print made by unknown artist
Date:
1829
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
White Lady
Creator:
Print made by Edward Scriven, 1775–1841
Date:
1833
Materials & Techniques:
Line engraving with hand coloring in watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Provincial Actors on their Route
Date:
ca. 1825
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Room in Fulwood's Rents, Gray's Inn
Creator:
Printed by John Wykeham Archer, 1808–1864
Date:
1850
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Draper's Alms Houses, Crutched Friars
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
London Wall, St. Martin's Court, Ludgate Hill
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
West Gate of St. Bartholomew's Priory, Smithfield
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Wood Carving and Original Sign of the House Cock Inn, Tothill Street, Westminster
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Door of an Old Mansion, in Gravel Lane, Houndsditch
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Street Monuments, Signs, Badges, &c., Plate 3
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Staircase, Southampton House, Holborn
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Street Monuments, Signs, Badges, &c., Plate 1
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Caldron Snout, Teesdale, Durham
Creator:
Print made by William Le Petit, early 1800s
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Street Monuments, Signs, Badges, &c., Plate 2
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Room in the Coach and Horses, Bartholomew Close
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

73. Verona

Verona
Creator:
Print made by John Woods, active 1836–1860
Date:
1841
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Works of the Strand Bridge
Creator:
Print made by George Cooke, 1781–1834
Date:
1829
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
On the Canal, Regent's Park
Creator:
Print made by George Harley, 1791–1871
Date:
undated
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Interior of the Fleet Ditch
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1851
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Rudiments of Landscape in Progressive Studies, Plate 46
Creator:
Print made by Samuel Prout, 1783–1852
Date:
1813
Materials & Techniques:
Soft-ground etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Part of Westminster Bridge
Creator:
Print made by James Peller Malcolm, 1767–1815
Date:
1808
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Rotunda, Bank of England
Creator:
Print made by John S. Shury, active 1818–1848
Date:
1844
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Battersea Bridge, from Cheyne Walk, Chelsea
Creator:
Print made by Charles Heath, 1785–1848
Date:
1825
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
British Museum, The Reading Room
Date:
1844
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
British Museum, Elgin Room
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
1844
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Lord Mayor's Table, Guildhall
Creator:
Print made by John S. Shury, active 1818–1848
Date:
1844
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Transept of the Great Exhibition
Creator:
Print made by W. Lacey, active 1827–1838
Date:
1851
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Temple Bar
Creator:
Print made by Charles William Sherborn, 1831–1912
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Royat, France
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1836
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Part of the Old and New London Bridges
Creator:
Print made by George Cooke, 1781–1834
Date:
1833
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Sydney, New South Wales, S. View
Creator:
Print made by unknown artist
Date:
1824
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Partridge Netting
Creator:
Print made by Samuel Howitt, 1756–1822
Date:
1812
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
View of Brest Harbour
Creator:
Print made by Robert Pollard, 1755–1838
Date:
1799
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock, Plate 15
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock, Plate 13
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock, Plate 9
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock, Plate 12
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock, Plate 8
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock, Plate 3
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock, Plate 14
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock, Plate 6
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Untitled Images of Livestock, Plate 11
Creator:
Print made by Henry Walter, 1786–1849
Date:
1824
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection