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Period 17th century

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Genre architectural subject

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Subject Terms relief

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Design for an English Silver Table
Creator:
unknown artist
Date:
between 1670 and 1680
Materials & Techniques:
Brown ink with brown wash and gouache over graphite on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 18 1/16 × 21 9/16 inches (45.8 × 54.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An English Man of War, Starboard Quarter View: Possibly the Victory
Creator:
Willem van de Velde the Younger, 1633–1707
Date:
ca. 1675
Materials & Techniques:
Pen and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper, pasted on contemporary mount made of thick, moderately textured, beige laid paper
Dimensions:
Mount: 17 1/8 x 25 13/16 inches (43.5 x 65.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An English Man-of-War, Port View from the Stern
Creator:
Willem van de Velde the Younger, 1633–1707
Date:
ca. 1675
Materials & Techniques:
Pen and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper, pasted on contemporary mount made of thick, moderately textured, beige laid paper
Dimensions:
Mount: 17 1/4 x 26 7/16 inches (43.8 x 67.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hercules before the Temple of Janus
Creator:
Print made by Abraham Blooteling, 1640–1690
Date:
between 1680 and 1690
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 11/16 × 10 11/16 inches (34.8 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Hercules before the Temple of Janus
Creator:
Print made by Abraham Blooteling, 1640–1690
Date:
between 1680 and 1690
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 3/16 × 10 11/16 inches (36 × 27.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund