The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
103
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
104
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
105
Print made by James Gillray, 1756–1815
The Sick Prince
1787
106
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
107
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
108
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
109
James Gillray, 1756–1815
The Battle of Bow-Street
1788
110
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
111
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
112
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
113
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
114
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
115
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
116
James Gillray, 1756–1815
The Soliloquy
1782
117
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
118
James Gillray, 1756–1815
The Legacy
1786
119
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
120
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
121
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
122
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
123
James Gillray, 1756–1815
The English Regency
1789
124
James Gillray, 1756–1815
The Republican - Attack
1795
125
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
126
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
127
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
128
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
129
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
130
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
131
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
132
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
133
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
134
James Gillray, 1756–1815
A Man of Importance
1799
135
James Gillray, 1756–1815
A Hackney Meeting
1796
136
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
137
James Gillray, 1756–1815
A Portrait ------------
1799
138
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
139
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
140
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
141
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
142
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
143
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
144
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
145
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
146
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
147
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
148
James Gillray, 1756–1815
Patience on a Monument
1791
149
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
150
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
151
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
152
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
153
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
154
James Gillray, 1756–1815
A Uniform Whig ---
1791
155
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
156
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
157
James Gillray, 1756–1815
The Friendly Agent
1787
158
James Gillray, 1756–1815
The Bubbles of Opposition
1788
159
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
160
James Gillray, 1756–1815
John Bull Triumphant
1780
161
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
162
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
163
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
164
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
165
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
166
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
167
James Gillray, 1756–1815
The Tottering Pyramid
1784
168
unknown artist
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
169
James Gillray, 1756–1815
Evacuation Before Resignation
1782
170
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
171
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
172
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
173
James Gillray, 1756–1815
Freedom (France) - Slavery (Britain)
1789
174
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
175
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
176
James Gillray, 1756–1815
The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)
1796
177
James Gillray, 1756–1815
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests
1798
178
James Gillray, 1756–1815
Meeting of - Unfortunate Citoyens. " Dismay of Two Disgraced Patriots"
1798
179
James Gillray, 1756–1815
The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"
1791
180
James Gillray, 1756–1815
Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined
1797
181
James Gillray, 1756–1815
St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone
1797
182
James Gillray, 1756–1815
United Irishmen Upon Duty
1798
183
James Gillray, 1756–1815
No Flower that Blows, Is Like this Rose
1796
184
James Gillray, 1756–1815
United Irishmen in Training
1798
185
James Gillray, 1756–1815
Patern-Staff - Weymouth
1797
186
James Gillray, 1756–1815
A Dash Up St. James's Street
1797
187
James Gillray, 1756–1815
Pylades & Orestes (Stadtholder & His Secretary)
1797
188
James Gillray, 1756–1815
Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister)
1794
189
James Gillray, 1756–1815
The Tree of Liberty, - With The Devil Tempting John Bull (Fox)
1798
190
James Gillray, 1756–1815
The Salute, - Vide, The Parade
1797
191
James Gillray, 1756–1815
Shrine at St. Ann's Hill
1798
192
James Gillray, 1756–1815
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing
1797
193
James Gillray, 1756–1815
The Tree of Liberty
1797
194
James Gillray, 1756–1815
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton
1795
195
James Gillray, 1756–1815
The Death of the Great Wolf
1795
196
James Gillray, 1756–1815
John Bull Ground Down
1795
197
James Gillray, 1756–1815
French - Telegraph Making Signals in the Dark
1795
198
James Gillray, 1756–1815
Corpor(e)al (!) Stamina
1801
199
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations