The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France
1795
103
James Gillray, 1756–1815
Loyal Souls; - or - A Peep into the Mess-Room, at St. James's
1797
104
James Gillray, 1756–1815
Copenhagen House
1795
105
James Gillray, 1756–1815
Councellor Ego. - i.e.: - Little I, Myself, I
1798
106
James Gillray, 1756–1815
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
107
James Gillray, 1756–1815
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
108
James Gillray, 1756–1815
Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"
1798
109
James Gillray, 1756–1815
Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1)
1798
110
James Gillray, 1756–1815
Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1)
1798
111
James Gillray, 1756–1815
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1)
1798
112
James Gillray, 1756–1815
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
113
James Gillray, 1756–1815
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
1795
114
James Gillray, 1756–1815
What a Cur ' tis
1795
115
James Gillray, 1756–1815
Blindmans-Buff - or - Too Many for John Bull
1795
116
James Gillray, 1756–1815
The Royal Society
1786
117
James Gillray, 1756–1815
The Crown & Anchor - Libel, Burnt by the Public Hangman (from: Caricature, vol. 1)
1795
118
James Gillray, 1756–1815
Love's Last Shift
1787
119
James Gillray, 1756–1815
The Prodigal Son
1787
120
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
121
James Gillray, 1756–1815
The Dagger Scene: - or - The Plot Discover'd
1792
122
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
123
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
124
James Gillray, 1756–1815
Les Trois Magots
1791
125
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
126
James Gillray, 1756–1815
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
127
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
128
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
129
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
130
James Gillray, 1756–1815
The Republican - Attack
1795
131
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
132
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
133
James Gillray, 1756–1815
Destruction of the French Collossus
1798
134
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
135
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
136
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
137
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
138
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
139
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
140
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
141
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
142
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
143
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
144
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
145
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
146
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
147
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
148
James Gillray, 1756–1815
Independence
1799
149
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
150
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
151
James Gillray, 1756–1815
A Man of Importance
1799
152
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
153
James Gillray, 1756–1815
A Portrait ------------
1799
154
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
155
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
156
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
157
James Gillray, 1756–1815
A Hackney Meeting
1796
158
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
159
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
160
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
161
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
162
James Gillray, 1756–1815
Patience on a Monument
1791
163
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
164
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
165
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
166
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
167
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
168
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
169
James Gillray, 1756–1815
A Uniform Whig ---
1791
170
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
171
James Gillray, 1756–1815
The Bubbles of Opposition
1788
172
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
173
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
174
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
175
James Gillray, 1756–1815
John Bull Triumphant
1780
176
James Gillray, 1756–1815
The Triumphant Britons
1780
177
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
178
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
179
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
180
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
181
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
182
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
183
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
184
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
185
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
186
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
187
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
188
James Gillray, 1756–1815
The Royal Academy
1786
189
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
190
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
191
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
192
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
193
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
194
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
195
James Gillray, 1756–1815
The Soliloquy
1782
196
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
197
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
198
James Gillray, 1756–1815
The Tottering Pyramid
1784
199
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
200
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets