<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Image Use Free to Use

Remove constraint Image Use: Free to Use

Subject Terms armor

Remove constraint Subject Terms: armor

Associated People Sir John Falstaff

Remove constraint Associated People: Sir John Falstaff

Search Results

Falstaff with the Body of Hotspur
Creator:
Attributed to Philippe-Jacques de Loutherbourg, 1740–1812
Date:
ca. 1786
Materials & Techniques:
Oil on paper
Dimensions:
12 x 11 1/4 inches (30.5 x 28.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Falstaff and the recruits, from "Henry IV, Part II"
Creator:
John Cawse, 1779–1862
Date:
ca. 1818
Materials & Techniques:
Oil on canvas
Dimensions:
25 1/4 x 33 1/4 inches (64.1 x 84.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Apotheosis of Shakespeare's Characters
Creator:
Sir John Gilbert, 1817–1897
Date:
1871
Materials & Techniques:
Watercolor, gouache, pen and black ink, and graphite on thick, slightly textured, cream wove paper mounted on wood panel
Dimensions:
Sheet: 41 x 28 inches (104.1 x 71.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
Creator:
Print made by George Cruikshank, 1792–1878
Date:
after 1857
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 3/16 × 8 7/16 inches (15.7 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Dreams of the Youthful Shakespeare
Creator:
Print made by Augustus Fox, 1800–1876
Date:
1827
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 3 15/16 inches (15.8 × 10 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund