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Materials & Techniques brown ink

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Exhibition History Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)

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Subject Terms mountains

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A View of the Pine Woods Above Cannes
Creator:
Edward Lear, 1812–1888
Date:
1869
Materials & Techniques:
Watercolor and gumming with pen in brown and blue ink, and scraping out, over graphite on thick, rough, cream wove paper
Dimensions:
Sheet: 6 9/16 x 20 3/16 inches (16.7 x 51.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mountain Landscape, Macugnaga
Creator:
John Ruskin, 1819–1900
Date:
1845
Materials & Techniques:
Pen and brown ink, brown wash, graphite and scraping out on thick, smooth, cream wove paper
Dimensions:
Sheet: 11 3/4 x 15 3/4 inches (29.8 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc
Creator:
Anthony Vandyke Copley Fielding, 1787–1855
Date:
1834
Materials & Techniques:
Watercolor, gouache, blue chalk, graphite, and pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 25 1/2 x 36 1/4 inches (64.8 x 92.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mountainous Landscape
Creator:
Alexander Cozens, 1717–1786
Date:
ca. 1780
Materials & Techniques:
Brown ink, black ink, gray wash, brown wash and pale brown ground on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 x 12 1/2 inches (24.1 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection