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A Shepherd Reading the Epitaph (Design 115)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Death on a Pale Horse
Creator:
John Hamilton Mortimer, 1740–1779
Date:
ca. 1775
Materials & Techniques:
Pen and black ink and gray ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 24 5/8 x 18 1/2 inches (62.5 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tolleshunt-Beckingham, Essex
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Watercolor, pen and black ink and graphite on moderately thick, slightly textured, beige wove paper, mounted on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 × 7 5/8 inches (21.6 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Carlisle Cathedral, Cumberland, from the South-west
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Watercolor with pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 9 1/2 inches (17.8 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Glasgow Cathedral
Creator:
Thomas Girtin, 1775–1802
Date:
between 1794 and 1795
Materials & Techniques:
Watercolor, pen in brown and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 x 6 9/16 inches (21.9 x 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Rochester
Creator:
Thomas Girtin, 1775–1802
Date:
1791
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/4 × 7 1/2 inches (13.3 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kirkstall Abbey from the N.W.
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1792
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink and graphite on medium, slightly textured, beige wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 5/8 × 8 3/4 inches (16.8 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pluscardine Abbey, Elgin
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1793
Materials & Techniques:
Watercolor, pen and ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 9/16 x 6 5/8 inches (21.7 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848
Creator:
Attributed to Thomas Baker of Leamington, 1809–1864
Date:
1848
Materials & Techniques:
Watercolor, and pen and black ink on moderately thick, rough, cream wove paper
Dimensions:
Mount: 8 15/16 × 12 15/16 inches (22.7 × 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection