Materials & Techniques: black ink / Credit Line: Yale Center for British Art, Paul Mellon Fund / On-site Access: Accessible by appointment in the Study Room / Exhibition History: Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)

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Materials & Techniques black ink

Credit Line Yale Center for British Art, Paul Mellon Fund

On-site Access Accessible by appointment in the Study Room

Exhibition History Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)

Francis Danby, 1793–1861

Oberon and Titania

1837

Sir John Gilbert, 1817–1897

Enter Malvolio, Crossgartered..

1863

Henry William Bunbury, 1750–1811

Launce Teaching His Dog Crab

undated

Henry William Bunbury, 1750–1811

Falstaff Carrying Dead Hotspur

undated

Henry William Bunbury, 1750–1811

The Duel: 'Twelfth Night,' Act III, Scene IV

ca. 1790

Sir John Gilbert, 1817–1897

Apotheosis of Shakespeare's Characters

1871

Henry Pierce Bone, 1779–1855

The Sleepwalking Scene in Macbeth

undated

George Cruikshank, 1792–1878

Hamlet and the Ghost

ca. 1825

George Cruikshank, 1792–1878

Macbeth and the Witch

undated

Richard Dadd, 1817–1886

Sketch for the Passions: Jealousy

1853

Richard Dadd, 1817–1886

Sketch for the Passions: Love

1853

Richard Westall, 1765–1836

Alcibiades and Timon

ca. 1805

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