Materials & Techniques: etching (printing process) and line engraving / Author ss: after Joseph Mallord William Turner, 1775–1851, British / Exhibition History: The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)

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Materials & Techniques etching (printing process)

Materials & Techniques line engraving

Author ss after Joseph Mallord William Turner, 1775–1851, British

Exhibition History The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1821

Print made by William Miller, 1796–1882

Modern Italy

1842

Print made by Edward Goodall, 1795–1870

Fingal's Cave, Staffa

1833

Print made by William Bernard Cooke, 1778–1855

Battle Abbey, The Spot where Harold Fell

1819

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

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Materials & Techniques etching (printing process)

Materials & Techniques line engraving

Author ss after Joseph Mallord William Turner, 1775–1851, British

Exhibition History The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)

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Materials & Techniques etching (printing process)

Materials & Techniques line engraving

Author ss after Joseph Mallord William Turner, 1775–1851, British

Exhibition History The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)

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