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Materials & Techniques etching (printing process)

Remove constraint Materials & Techniques: etching (printing process)

Author ss Print made by John Jones, ca. 1745–1797, British

Remove constraint Author ss: Print made by John Jones, ca. 1745–1797, British

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Robinetta
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1787
Materials & Techniques:
Etching with stipple and aquatint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 × 10 15/16 inches (37.9 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Muscipula
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1786
Materials & Techniques:
Etching, stipple engraving, and line engraving; first state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 1/8 × 15 3/4 inches (46 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Girl Sleeping
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1790
Materials & Techniques:
Etching, engraving, aquatint and stipple (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 12 3/8 inches (40 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lord Henry and Lady Charlotte Spencer as 'The Young Fortune Tellers'
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1790
Materials & Techniques:
Aquatint, etching, and stipple (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 7/8 × 15 5/8 inches (53 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lady Gertrude Fitzpatrick as Sylvia
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Stipple engraving, aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 15/16 × 10 13/16 inches (37.9 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund