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1. The Leicestershire Hunt - A Struggle for the Start

The Leicestershire Hunt - A Struggle for the Start
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 1/4 × 22 7/16 inches (23.5 × 57 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Leicestershire Hunt - The Death

The Leicestershire Hunt - The Death
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 1/4 × 22 1/2 inches (23.5 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/16 × 22 11/16 inches (23.3 × 57.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails

The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 × 22 1/8 inches (22.9 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Undercliff, Isle of Wight

Undercliff, Isle of Wight
Creator:
Frederick Calvert, ca. 1785–ca. 1845
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 × 8 inches (12.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. A Lane with Figures - Isle of Wight (?)

A Lane with Figures - Isle of Wight (?)
Creator:
Frederick Calvert, ca. 1785–ca. 1845
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 7/8 inches (12.7 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Welsh Mountain Study

Welsh Mountain Study
Creator:
Paul Sandby, 1731–1809
Date:
between 1800 and 1809
Materials & Techniques:
Gouache and watercolor on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 19 5/8 inches (22.9 x 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Windsor Castle From the Long Walk

Windsor Castle From the Long Walk
Creator:
F. Norice, 19th century
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 5/8 inches (17.5 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Pont-y-Pier near Llanroost, Denbighshire

Pont-y-Pier near Llanroost, Denbighshire
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1800
Materials & Techniques:
Watercolor and gouache on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 x 10 1/2 inches (19.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Jedburgh Abbey from the South East

Jedburgh Abbey from the South East
Creator:
Thomas Girtin, 1775–1802
Date:
1800
Materials & Techniques:
Watercolor, gouache and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 21 3/4 inches (39.4 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund