Materials & Techniques: graphite and gray wash / Collection: Prints and Drawings / Credit Line: Yale Center for British Art, Paul Mellon Fund / Subject Terms: buildings - YCBA Collections Search Search Results

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Materials & Techniques graphite

Materials & Techniques gray wash

Collection Prints and Drawings

Credit Line Yale Center for British Art, Paul Mellon Fund

Subject Terms buildings

1. Tribunal House, Glastonbury, Somerset: Ground Floor Plan

Tribunal House, Glastonbury, Somerset: Ground Floor Plan

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1832
Materials & Techniques:: Pen and black ink with graphite and gray wash on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 x 10 3/8 inches (38.7 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. Receipt for a Set of Six London Views

Receipt for a Set of Six London Views

Creator:: Thomas Sandby, 1721–1798
Date:: ca. 1758
Materials & Techniques:: Graphite, pen and black ink, and gray wash, incised for transfer on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 5/8 x 4 5/8in. (11.7 x 11.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. Cleopatra on the Cydnus to Meet Antony

Cleopatra on the Cydnus to Meet Antony

Creator:: Alfred Edward Chalon, 1780–1860
Date:: ca. 1821
Materials & Techniques:: Brown ink with gray wash and scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/2 x 14 3/8 inches (49.6 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. The South View of Berwick Upon Tweed

The South View of Berwick Upon Tweed

Creator:: Samuel Buck, 1696–1779
Date:: ca. 1743-1745
Materials & Techniques:: Pen and black ink, with gray wash over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/4 x 31 7/8 inches (31.1 x 81 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund