Materials & Techniques: graphite / Exhibition History: Noble Simplicity and Silent Greatness - Neoclassical Art from 1700 - 1900 (Yale University Art Gallery, 1991-04-26 - 1991-09-29) - YCBA Collections Search Search Results

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Exhibition History Noble Simplicity and Silent Greatness - Neoclassical Art from 1700 - 1900 (Yale University Art Gallery, 1991-04-26 - 1991-09-29)

1. Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures

Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Graphite, black chalk, red chalk, watercolor, and gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 x 11 5/8 inches (20.3 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Views in the Levant: Temple Ruins at Paestum

Views in the Levant: Temple Ruins at Paestum

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, moderately textured, brown laid paper mounted on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 14 1/2 × 20 1/2 inches (36.8 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Temple of Apollo Epikourios: Front Elevation

The Temple of Apollo Epikourios: Front Elevation

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite and pen and brown wash on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 1/4 x 20 1/2 inches (36.2 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Design for Approaches to London Bridge

Design for Approaches to London Bridge

Creator:: Charles Robert Cockerell, 1788–1863
Date:: ca. 1830
Materials & Techniques:: Graphite and pen with brown wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 17 3/4 inches (24.8 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Temple of Aphaia at Aegina: Elevation of the Doric Entablature and Roof Section

The Temple of Aphaia at Aegina: Elevation of the Doric Entablature and Roof Section

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Pen and black and red ink, graphite and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 1/2 × 16 13/16 inches (31.8 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. To Phoebus at His Birth, From Aeschylus, Furies

To Phoebus at His Birth, From Aeschylus, Furies

Creator:: John Flaxman, 1755–1826
Date:: undated
Materials & Techniques:: Brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave

No cover image available

Creator:: Charles Robert Cockerell, 1788–1863
Date:: 1860
Materials & Techniques:: Line engraving with graphite on smooth, thick, cream wove paper
Dimensions:: Sheet: 7 1/16 × 11 3/4 inches (17.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection