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Study for the Foundlings
Creator:
William Hogarth, 1697–1764
Date:
ca. 1739
Materials & Techniques:
Pen and black ink with gray wash on medium, smooth, cream laid paper
Dimensions:
Sheet: 4 3/8 × 8 3/8 inches (11.1 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Political Caricature: "The Spiritualists"
Creator:
Anthony Walker, 1726–1765
Date:
undated
Materials & Techniques:
Gray wash and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 x 10 1/2 inches (22.9 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background
Creator:
attributed to Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 2 3/4 x 4 5/8 inches (7 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hyde Park Corner
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 15/16 x 24 7/16 inches (22.7 x 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Girl Giving a Key to a Cavalier
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 8 1/8 × 6 5/8 inches (20.6 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Labourers at Rest
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1790 and 1795
Materials & Techniques:
Watercolor with pen and red-brown and blue ink, over graphite with pen and gray ink and wash line on border on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 7/16 x 8 1/4 inches (13.8 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The London Citizen
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/16 x 9 inches (13.5 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ladies at Tea
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1790 and 1795
Materials & Techniques:
Watercolor with pen and red-brown and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 7 x 10 5/16 inches (17.8 x 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Miseries of the Country
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 6 13/16 x 8 3/4 inches (17.3 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Covent Garden Market
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1795 and 1810
Materials & Techniques:
Watercolor with pen and red-brown and brown ink, and graphite, with pen and gray line and gray wash on border; verso: watercolor blots and pen and ink lines on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/16 x 9 9/16 inches (15.7 x 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Courtyard of Mr. Bank's House, Northernhay, Exeter
Creator:
John White Abbott, 1763–1851
Date:
1816
Materials & Techniques:
Pen and brown ink and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 7 1/2 inches (26.7 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection