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1. Hunting Dog and Pheasants

Hunting Dog and Pheasants
Creator:
Print made by John Smith, 1652–1743
Date:
1680s
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 7 7/8 inches (14.6 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. Jonah Escaping from the Mouth of the Whale

Jonah Escaping from the Mouth of the Whale
Creator:
Print made by Wallerant Vaillant, 1623–1677
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 13/16 × 15 7/16 inches (30 × 39.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. A Running Dog

A Running Dog
Creator:
Print made by Jan Verkolje, 1650–1693
Date:
1680
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 9/16 × 4 5/16 inches (9 × 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. A Sleeping Dog

A Sleeping Dog
Creator:
Print made by Jan Verkolje, 1650–1693
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 7/8 × 4 3/8 inches (9.8 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. A Small Dog, Wearing a Belled Collar.

A Small Dog, Wearing a Belled Collar.
Creator:
Print made by John Smith, 1652–1743
Date:
between 1681 and 1688
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 13/16 × 4 7/8 inches (14.8 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. The Kings Birds

The Kings Birds
Creator:
Print made by John Smith, 1652–1743
Date:
1680s
Materials & Techniques:
Mezzotint, with burinwork on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/2 × 7 1/8 inches (24.1 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund