Materials & Techniques: laid paper / Exhibition History: Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27) and Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29) / Associated Places: England - YCBA Collections Search Search Results

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Materials & Techniques laid paper

Exhibition History Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)

Exhibition History Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)

Associated Places England

1. Estuary on the River Taw, Devon

Estuary on the River Taw, Devon

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor over graphite on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 10 5/16 x 17 3/4 inches (26.2 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Lyme Regis, Dorset

Lyme Regis, Dorset

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 11/16 x 17 1/16 inches (22.1 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Sandsend, Yorkshire

Sandsend, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Watercolor over graphite on thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 1/2 x 20 7/8 inches (31.8 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Trees and Pond near Bromley, Kent

Trees and Pond near Bromley, Kent

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor and gouache over graphite; verso: graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 3/16 x 12 5/16 inches (20.8 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection