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Materials & Techniques laid paper

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Associated Places Cumbria

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Landscape in Westmoreland
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/8 x 18 3/8 inches (28.9 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
From Dungeon Ghyll
Creator:
Alfred Parsons, 1847–1920
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/16 × 11 7/8 inches (23 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
The Grange at the Head of Keswick Lake
Creator:
Francis Towne, 1740–1816
Date:
1786
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/4 x 6 1/8 inches (9.5 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cumberland Landscape
Creator:
Edward Dayes, 1763–1804
Date:
undated
Materials & Techniques:
Gray wash, blue wash, and graphite, with scraping out on medium, smooth, cream laid paper
Dimensions:
Sheet: 10 7/8 x 15 inches (27.6 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cumberland Landscape
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 x 7 3/4 inches (13 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ullswater, Looking toward Patterdale
Creator:
John Warwick Smith, 1749–1831
Date:
1792
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 20 1/8 inches (34 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection