Materials & Techniques: line engraving / Credit Line: Yale Center for British Art, Paul Mellon Fund / On-site Access: Accessible by appointment in the Study Room / Subject Terms: mother - YCBA Collections Search Search Results

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Materials & Techniques line engraving

Credit Line Yale Center for British Art, Paul Mellon Fund

On-site Access Accessible by appointment in the Study Room

Subject Terms mother

1. Lady Acland and Children

Lady Acland and Children

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1826
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 18 7/8 x 15 1/8 inches (47.9 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. Mary Elizabeth, Countess Grey, with Her Two Children

Mary Elizabeth, Countess Grey, with Her Two Children

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1831
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 x 13 3/4 inches (43.5 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. Lot and His Family

Lot and His Family

Creator:: Print made by John Alexander, 1686–before 1768
Date:: ca. 1718
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 15 1/16 inches (28.8 x 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

Creator:: James Heath, 1757–1834
Date:: 1802
Materials & Techniques:: Etching, line engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 x 13 inches (42.8 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund