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Materials & Techniques pen

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Materials & Techniques laid paper

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Author ss Thomas Rowlandson, 1756–1827, British

Remove constraint Author ss: Thomas Rowlandson, 1756–1827, British

Exhibition History Thomas Rowlandson from the Paul Mellon Collection (National Sporting Library and Museum, 2005-04-14 - 2005-06-10)

Remove constraint Exhibition History: Thomas Rowlandson from the Paul Mellon Collection (National Sporting Library and Museum, 2005-04-14 - 2005-06-10)

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Place des Victoires, Paris
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1783
Materials & Techniques:
Watercolor in pen and black ink over graphite on medium, moderately textured, cream antique laid paper
Dimensions:
Sheet: 13 3/4 x 21 inches (34.9 x 53.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Breakfast before the Hunt
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1785 and 1790
Materials & Techniques:
Pen and black and gray ink with brown and blue wash on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 x 8 inches (12.7 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Duchess of Devonshire and the Countess of Bessborough
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790
Materials & Techniques:
Watercolor with pen and black and gray ink over graphite on cream laid paper
Dimensions:
Sheet: 19 11/16 x 16 3/4 inches (50 x 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Horsemen Colliding
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1785 and 1790
Materials & Techniques:
Pen and brown, black, and gray ink with gray wash on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 3/4 x 18 13/16 inches (29.8 x 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Prize Fight
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Watercolor with pen and black and gray ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 18 1/8 x 27 3/8 inches (46 x 69.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Return from the Hunt
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Watercolor, pen and gray ink, and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 8 1/16 x 11 7/8 inches (20.5 x 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Carrier's Waggon
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1785 and 1790
Materials & Techniques:
Watercolor with pen and black and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/8 x 15 3/16 inches (25.7 x 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Worn Out Debauchée
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1790 and 1795
Materials & Techniques:
Watercolor with pen and yellow and gray-black ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 13/16 x 7 13/16 inches (30 x 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Skating on the Serpentine
Creator:
Thomas Rowlandson, 1756–1827
Date:
before 1790
Materials & Techniques:
Pen and gray and black ink and wash over graphite; verso: pen and black ink on repaired section on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 14 7/16 inches (22.5 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Audience Watching a Play at Drury Lane Theatre
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1785
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/8 x 14 5/16 inches (23.8 x 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection