<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques pen

Remove constraint Materials & Techniques: pen

Materials & Techniques watercolor

Remove constraint Materials & Techniques: watercolor

Exhibition History Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)

Remove constraint Exhibition History: Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)

Work Type drawing

Remove constraint Work Type: drawing

Subject Terms trees

Remove constraint Subject Terms: trees

Search Results

View of Bath from Spring Gardens
Creator:
Thomas Hearne, 1744–1817
Date:
1790
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 x 18 1/8 inches (30.8 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Prize Fight
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Watercolor with pen and black and gray ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 18 1/8 x 27 3/8 inches (46 x 69.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Encampment in St. James Park
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1780
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 17 7/8 inches (30.2 x 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Angling Party
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray ink, over graphite, border with pen and gray brown ink line on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 x 10 3/16 inches (17.5 x 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection