Materials & Techniques: scraping out / Work Type: watercolor / Subject Terms: science / Classification: Drawings & Watercolors - YCBA Collections Search Search Results

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Materials & Techniques scraping out

Work Type watercolor

Subject Terms science

Classification Drawings & Watercolors

1. Mer de Glace, in the Valley of Chamonix

Mer de Glace, in the Valley of Chamonix

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1803
Materials & Techniques:: Watercolor, graphite, gum, scraping out and stopping out on moderately thick, slightly textured, cream wove paper mounted on thick, smooth wove paper
Dimensions:: Sheet: 27 3/4 x 41 inches (70.5 x 104.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Vesuvius in Eruption

Vesuvius in Eruption

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1817 and 1820
Materials & Techniques:: Watercolor, gum, scraping out on medium, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/4 x 15 5/8 inches (28.6 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Tivoli with the Temple of the Sybil and the Cascades

Tivoli with the Temple of the Sybil and the Cascades

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1796 and 1797
Materials & Techniques:: Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 x 21 5/8 inches (41.9 x 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Devil's Bridge, Saint Gotthard's Pass

Devil's Bridge, Saint Gotthard's Pass

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1804
Materials & Techniques:: Watercolor, white wax crayon and scraping out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 41 5/8 x 29 7/8 inches (105.7 x 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Tynemouth Pier - Lighting the Lamps at Sundown

Tynemouth Pier - Lighting the Lamps at Sundown

Creator:: Alfred William Hunt, 1830–1896
Date:: 1868
Materials & Techniques:: Watercolor, pen and brown ink, gouache, gum, and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 x 21 1/4 inches (37.1 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

6. The Rhine at Assmannshausen

The Rhine at Assmannshausen

Creator:: William Callow, 1812–1908
Date:: 1863
Materials & Techniques:: Watercolor, with pen, and brown ink, graphite, and scraping out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/8 x 17 5/16 inches (30.8 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Avon near Bristol

The Avon near Bristol

Creator:: Samuel Jackson, 1794–1869
Date:: undated
Materials & Techniques:: Watercolor and gouache, with scraping and gum on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 17 1/4 inches (28.5 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Pirate's Isle

Creator:: David Cox, 1783–1859
Date:: 1826
Materials & Techniques:: Watercolor with stopping out, and scraping out on moderately thick slightly textured cream wove paper
Dimensions:: Sheet: 30 3/4 x 42 1/2 inches (78.1 x 108 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

9. Falls of Tivoli

Falls of Tivoli

Creator:: John Warwick Smith, 1749–1831
Date:: undated
Materials & Techniques:: Watercolor and gouache with scraping out on medium, slightly textured, cream wove paper, pasted on thick, smooth, cream wove paper
Dimensions:: Mount: 23 1/2 x 19 inches (59.7 x 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

10. A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc

A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1834
Materials & Techniques:: Watercolor, gouache, blue chalk, graphite, and pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 25 1/2 x 36 1/4 inches (64.8 x 92.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection