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Materials & Techniques wove paper

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Genre marine art

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Image Use Free to Use

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Topic subjectplace ss Medway

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Sheerness and The Isle of Sheppey, with the Junction of The Thames and Medway from the Nore
Creator:
Print made by unknown artist
Date:
1821
Materials & Techniques:
Line engraving, unfinished on thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/4 × 18 1/8 inches (33.7 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Sheerness
Creator:
François Louis Thomas Francia, 1772–1839
Date:
undated
Materials & Techniques:
Watercolor and brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 6 3/8 x 12 inches (16.2 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On the Medway
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
ca. 1838
Materials & Techniques:
Etching on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 1/8 inches (12.7 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chatham, Kent
Creator:
Print made by William Miller, 1796–1882
Date:
1832
Materials & Techniques:
Line engraving and etching, 3rd state on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 10 5/8 × 14 3/4 inches (27 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Castle Upnor
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Line engraving, 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/16 × 14 15/16 inches (28.1 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On the Medway
Creator:
David Cox, 1783–1859
Date:
early 1850s
Materials & Techniques:
Watercolor, gouache, and graphite on heavy textured Scotch paper
Dimensions:
Sheet: 19 x 29 1/8 inches (48.3 x 74 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection