The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
2
Print made by James Gillray, 1756–1815
The Sick Prince
1787
3
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
4
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
5
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
6
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
7
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
8
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
9
James Gillray, 1756–1815
Freedom (France) - Slavery (Britain)
1789
10
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
11
James Gillray, 1756–1815
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
12
James Gillray, 1756–1815
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy
1796
13
James Gillray, 1756–1815
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests
1798
14
James Gillray, 1756–1815
The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)
1796
15
James Gillray, 1756–1815
United Irishmen in Training
1798
16
James Gillray, 1756–1815
The Tree of Liberty, - With The Devil Tempting John Bull (Fox)
1798
17
James Gillray, 1756–1815
The Salute, - Vide, The Parade
1797
18
James Gillray, 1756–1815
Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister)
1794
19
James Gillray, 1756–1815
Le Coup de Maitre
1797
20
James Gillray, 1756–1815
Shrine at St. Ann's Hill
1798
21
James Gillray, 1756–1815
Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet
1798
22
James Gillray, 1756–1815
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing
1797
23
James Gillray, 1756–1815
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton
1795
24
James Gillray, 1756–1815
The Tree of Liberty
1797
25
James Gillray, 1756–1815
John Bull Ground Down
1795
26
James Gillray, 1756–1815
The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition
1795
27
James Gillray, 1756–1815
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
28
James Gillray, 1756–1815
French - Telegraph Making Signals in the Dark
1795
29
James Gillray, 1756–1815
The Death of the Great Wolf
1795
30
James Gillray, 1756–1815
The Lover's Dream
1795
31
James Gillray, 1756–1815
Leaving off Powder, - or - a Frugal Family Saving the Guinea
1795
32
James Gillray, 1756–1815
The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France
1795
33
James Gillray, 1756–1815
Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition
1795
34
James Gillray, 1756–1815
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land
1795
35
James Gillray, 1756–1815
Presages of the Millenium
1795
36
James Gillray, 1756–1815
A Slice of Glo'ster Cheese
1795
37
James Gillray, 1756–1815
Loyal Souls; - or - A Peep into the Mess-Room, at St. James's
1797
38
James Gillray, 1756–1815
Councellor Ego. - i.e.: - Little I, Myself, I
1798
39
James Gillray, 1756–1815
Portrait of an Irish Chief; Drawn from Life at Wexford
1798
40
James Gillray, 1756–1815
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
41
James Gillray, 1756–1815
Copenhagen House
1795
42
James Gillray, 1756–1815
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
43
James Gillray, 1756–1815
The Republican - Attack
1795
44
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
45
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
46
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
47
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
48
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
49
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
50
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
51
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
52
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
53
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
54
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
55
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
56
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
57
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
58
James Gillray, 1756–1815
A Man of Importance
1799
59
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
60
James Gillray, 1756–1815
A Portrait ------------
1799
61
James Gillray, 1756–1815
A Hackney Meeting
1796
62
James Gillray, 1756–1815
Independence
1799
63
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
64
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
65
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
66
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
67
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
68
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
69
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
70
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
71
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
72
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
73
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
74
James Gillray, 1756–1815
Patience on a Monument
1791
75
James Gillray, 1756–1815
A Uniform Whig ---
1791
76
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
77
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
78
James Gillray, 1756–1815
The Friendly Agent
1787
79
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
80
James Gillray, 1756–1815
The Bubbles of Opposition
1788
81
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
82
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
83
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
84
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
85
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
86
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
87
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
88
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
89
James Gillray, 1756–1815
Jack A Both Sides!
1783
90
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
91
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
92
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
93
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
94
James Gillray, 1756–1815
The English Regency
1789
95
James Gillray, 1756–1815
The Battle of Bow-Street
1788
96
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
97
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
98
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
99
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family