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Creator Gender male

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Exhibition History The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)

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Image Available Available

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Work Type intaglio print

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Subject Terms landscape

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Search Results

Opening the Fold
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1880
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 x 12 7/8 inches (26.9 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Opening the Fold
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1880
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 15/16 x 10 5/8 inches (20.2 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Wooded Landscape with Herdsman and Cows
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
between 1785 and 1788
Materials & Techniques:
Soft-ground etching with aquatint, in gray ink on thick, slightly textured, brown laid paper
Dimensions:
Sheet: 11 5/8 x 14 1/4 inches (29.5 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wooded Landscape with Herdsman and Cows
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
1797
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 13 3/4 inches (27.9 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Ariccia

Ariccia
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
between 1783 and 1789
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 1/4 × 7 3/8 inches (13.3 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund