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1. Ecclesiastical, and, Political, State of the Nation

Ecclesiastical, and, Political, State of the Nation
Creator:
unknown artist
Date:
1780
Dimensions:
Sheet: 9 3/4 x 12 7/8in. (24.8 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Whore of Babylons Caravan with a Cargo of Popish Blessings

The Whore of Babylons Caravan with a Cargo of Popish Blessings
Creator:
unknown artist
Date:
1780
Materials & Techniques:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. James Northcote

James Northcote
Creator:
Print made by unknown artist
Date:
between 1780 and 1820
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. A Man-Trap

A Man-Trap
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
c.1780
Materials & Techniques:
Mezzotint on laid paper
Dimensions:
Plate: 13 15/16 x 11 1/2in. (35.4 x 29.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Old Boat Public House, Cromer Street, Judd Street

The Old Boat Public House, Cromer Street, Judd Street
Creator:
unknown artist
Date:
1780
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Three Hats Public-house and other Old House, Islington

The Three Hats Public-house and other Old House, Islington
Creator:
unknown artist
Date:
1780
Materials & Techniques:
Reproduction
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Vide Howard On Prisons

Vide Howard On Prisons
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Procession of the Protestant Association to Westminster

Procession of the Protestant Association to Westminster
Creator:
unknown artist
Date:
1780
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. A View of Mr. Browne's House in Rochampton Lane and the havoc made on his premises by the dreadful Storm on Sunday Night, 15th October 1780

A View of Mr. Browne's House in Rochampton Lane and the havoc made on his premises by the dreadful Storm on Sunday Night, 15th October 1780
Creator:
unknown artist
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Captain Jonathan Carver

Captain Jonathan Carver
Creator:
Print made by unknown artist
Date:
1780
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11. The Association Officers or City Defenders

The Association Officers or City Defenders
Creator:
unknown artist
Date:
1780
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 5/8 x 13 1/8in. (19.4 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Father Peters Leading his Mangy Whelp to be Touched for the Evil

Father Peters Leading his Mangy Whelp to be Touched for the Evil
Creator:
unknown artist
Date:
1780
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 5 11/16 x 9 3/16in. (14.4 x 23.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Medalian Design Of Francis Hutchenson, A Philosopher (Above) and Laurence Natter, A Medalist (Center)

Medalian Design Of Francis Hutchenson, A Philosopher (Above) and Laurence Natter, A Medalist (Center)
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Burning and Plundering of Newgate and Setting the Felons at Liberty by the Mob

The Burning and Plundering of Newgate and Setting the Felons at Liberty by the Mob
Creator:
unknown artist
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Review of the York Regiment

Review of the York Regiment
Creator:
unknown artist
Date:
1780
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 6 3/8 x 10 1/2in. (16.2 x 26.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Royal Ass

The Royal Ass
Creator:
James Stewart, 1791–1863
Date:
1780
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 5 5/8 x 8 1/8in. (14.3 x 20.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
Creator:
Thomas Bowles, ca. 1712–died 1753
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...

The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...
Creator:
J. Couse, active 1750
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/4 × 15 3/4 inches (26 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. A Perspective View of Venice

A Perspective View of Venice
Creator:
John Bowles, 1701–1779
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. A View of the Palace of Triano towards the Flower Garden

A View of the Palace of Triano towards the Flower Garden
Creator:
unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 9 3/4 × 16 1/4 inches (24.8 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front

A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
Creator:
Nathaniel Parr, active 1742–1751
Date:
between 1780-1815
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. A View of the Ruins of the Temple of Jupiter Olympius at Athens

A View of the Ruins of the Temple of Jupiter Olympius at Athens
Creator:
unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
Creator:
Nathaniel Parr, active 1742–1751
Date:
between 1780-1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 × 15 3/4 inches (29.2 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. A View of the City of Oporto

A View of the City of Oporto
Creator:
unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
Creator:
Remi Parr, active 1723–1750
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. A View of Little St. Mark's Place at Venice to the Sea

A View of Little St. Mark's Place at Venice to the Sea
Creator:
Thomas Bowles, ca. 1712–died 1753
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The City of Dresden

The City of Dresden
Creator:
unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Entrance into the Temple of the Sun in Palmira from the East

The Entrance into the Temple of the Sun in Palmira from the East
Creator:
unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 × 15 inches (27.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. A View of Rotterdam, and the River Maese with Variety of Shipping

A View of Rotterdam, and the River Maese with Variety of Shipping
Creator:
unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 × 16 1/4 inches (29.2 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. A Perspective View of the Town and Fortifications of Malta

A Perspective View of the Town and Fortifications of Malta
Creator:
Thomas Bowles, ca. 1712–died 1753
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Ass Upon Ass

Ass Upon Ass
Creator:
unknown artist
Date:
1780
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 5/8 x 5 3/4in. (19.4 x 14.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. L(or)d Am(hers)t on Duty

L(or)d Am(hers)t on Duty
Creator:
unknown artist
Date:
1780
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 7/8 x 5 7/8in. (20 x 14.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. The Remains of the Great Temple in Palmira seen from the West. ...

The Remains of the Great Temple in Palmira seen from the West. ...
Creator:
unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 1/8 × 15 1/8 inches (28.3 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. A South-East View of the City of Boston in North America

A South-East View of the City of Boston in North America
Creator:
J. Carwitham, active 1720–1740
Date:
undated
Materials & Techniques:
Hand-colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. [ man with a candle ]

[ man with a candle ]
Creator:
unknown artist
Date:
178-?
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. The Ladies' Shooting Poney

The Ladies' Shooting Poney
Creator:
Engraved by unknown artist
Date:
1780
Materials & Techniques:
Hand-colored mezzotint on wove paper
Dimensions:
Plate: 14 x 10in. (35.6 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Political Reformation

Political Reformation
Creator:
Print made by unknown artist
Date:
1780
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

38. Windsor Castle from the Black Road [page not numbered] (Volume Three)

No cover image available
Creator:
unknown artist
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. South Terrace, Windsor(from a small set of Windsor views); page 104 (Volume Three)

No cover image available
Creator:
unknown artist
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Frontispiece to Jarvis and Fielding's Edition of Dr. Johnson's Dictionary

No cover image available
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 x 7in. (25.4 x 17.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Herman W. Liebert

41. Fan Mount: Decorated with three Medallions, the Central Medallion represents Love holding a Lyre and Seated on a Lion

No cover image available
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection