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John Hamilton Mortimer
Creator:
Robert Blyth, 1750–1784
Date:
1782
Materials & Techniques:
Etching, published state
Dimensions:
Sheet: 17 1/2 x 13 1/2in. (44.5 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady's Slipper (Cypripedium Canadense, Calceolus Maria)
Creator:
Robert Blyth, 1750–1784
Date:
1770
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Elevation of the Brazen Serpent in the Wilderness
Creator:
Robert Blyth, 1750–1784
Date:
1783
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fisherman
Creator:
Robert Blyth, 1750–1784
Date:
1780
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Elevation of the Brazen Serpent in the Wilderness
Creator:
Robert Blyth, 1750–1784
Date:
1783
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two untitled etchings laid down on one sheet: Bandits and Soldiers Fighting
Creator:
Robert Blyth, 1750–1784
Date:
1782
Materials & Techniques:
Etching
Dimensions:
Plate: 11 1/8 x 13 13/16in. (28.3 x 35.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Caius Marius sitting on the Ruins of Carthage (Number 34 of Catalogue Mortimer Exhibition 1968)
Creator:
Robert Blyth, 1750–1784
Date:
1782
Materials & Techniques:
Etching
Dimensions:
Sheet: 18 7/8 x 15 3/8in. (47.9 x 39.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Caius Marius Sitting on the Ruins of Carthage
Creator:
Robert Blyth, 1750–1784
Date:
1781
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Don Quixote in the Sable Mountains (See number 81 of Catalogue Mortimer Exhibition 1968)
Creator:
Robert Blyth, 1750–1784
Date:
1782
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portraits of James Smithson, Marshall of the King's Bench 1422 and his wife Alice Whitworth (Laid down on the same sheet as B1977.14.12074)
Creator:
Robert Blyth, 1750–1784
Date:
1780
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Banditti... Representing Banditti Variously Employed: Returning Wounded from Battle
Creator:
Robert Blyth, 1750–1784
Date:
1779
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Banditti...Representing Banditti Variously Employed: Killing an Enemy
Creator:
Robert Blyth, 1750–1784
Date:
1779
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Banditti...Representing Banditti Variously Employed: Giving Orders in Battle
Creator:
Robert Blyth, 1750–1784
Date:
1779
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Banditti...Representing Banditti Variously Employed: Stripping the Slain
Creator:
Robert Blyth, 1750–1784
Date:
1779
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Banditti...Representing Banditti Variously Employed: Enjoying Domestic Happiness
Creator:
Robert Blyth, 1750–1784
Date:
1779
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Nebuccadnezzer Recovering his Reason
Creator:
Robert Blyth, 1750–1784
Date:
1781
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portraits of Two Historical or Biblical Characters (a pair)
Creator:
Robert Blyth, 1750–1784
Date:
1782
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rustick Dance
Creator:
Robert Blyth, 1750–1784
Date:
1780
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portraits of Two Historical or Biblical Characters (a pair)
Creator:
Robert Blyth, 1750–1784
Date:
1782
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Banditti Conversing
Creator:
Robert Blyth, 1750–1784
Date:
1779
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Soldiers with Pack-Horse (Laid down on same sheet as B1977.14.12070)
Creator:
Robert Blyth, 1750–1784
Date:
1783
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
Creator:
Robert Blyth, 1750–1784
Date:
1780
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
Creator:
Robert Blyth, 1750–1784
Date:
1780
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two untitled etchings laid down on one sheet: Man in Cloak and Woman with Fruit Seated, Overlooking a Bay
Creator:
Robert Blyth, 1750–1784
Date:
1781
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
John Hamilton Mortimer, Historical Painter, Self-Portrait (Note to number 4 of Catalogue Mortimer Exhibition 1968)
Creator:
Robert Blyth, 1750–1784
Date:
1782
Materials & Techniques:
Etching
Dimensions:
Plate: 17 3/8 x 13 7/16in. (44.1 x 34.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Homer Repeating his Verses to the Greeks (number 41 of Catalogue Mortimer Exhibition 1968)
Creator:
Robert Blyth, 1750–1784
Date:
1781
Materials & Techniques:
Etching
Dimensions:
Sheet: 19 5/8 x 23 7/16in. (49.8 x 59.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)
Creator:
Robert Blyth, 1750–1784
Date:
1780
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Life and Death of a Soldier: Soldier's Courtship (notes to number 54 of Catalogue Mortimer Exhibition 1968)
Creator:
Robert Blyth, 1750–1784
Date:
1781
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)
Creator:
Robert Blyth, 1750–1784
Date:
1780
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Life and Death of a Soldier: Soldier's Death (note to number 56 of Catalogue Mortimer Exhibition 1968)
Creator:
Robert Blyth, 1750–1784
Date:
1781
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Life and Death of a Soldier: Soldier's Funeral (notes to 57 of Catalogue Mortimer Exhibition 1968)
Creator:
Robert Blyth, 1750–1784
Date:
1781
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Life and Death of a Soldier: Soldier's Family (notes to number 55 of Catalogue Mortimer Exhibition 1968)
Creator:
Robert Blyth, 1750–1784
Date:
1781
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection