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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 18th century
Remove constraint Period: 18th centuryClassification Prints
Remove constraint Classification: PrintsSearch Results
![George Stubbs A Lion [A recumbent Lion]](https://media.collections.yale.edu/thumbnail/ycba/a3e0a688-dd65-4193-b627-21b22d75629a)
1
- A Lion [A recumbent Lion]
- 1788
2
- The Farmer's Wife and the Raven
- 1788
3
- A Tiger and a Sleeping Leopard
- 1788
4
- Tygers at Play
- 1780
5
- Hay-Makers
- 1791
![George Stubbs A Lion [A Lion resting on a Rock]](https://media.collections.yale.edu/thumbnail/ycba/4c5b1084-9014-43da-bf2a-6ca3a5f42e03)
6
- A Lion [A Lion resting on a Rock]
- 1788
7
- A Tyger (Sleeping Leopard)
- 1788
![George Stubbs Dog [A Foxhound on the Scent]](https://media.collections.yale.edu/thumbnail/ycba/67aa2d86-08f0-41e7-9421-a4c7134ec952)
8
- Dog [A Foxhound on the Scent]
- 1788
9
- A Horse Affrighted by a Lion
- 1788
10
- A Sleeping Leopard
- 1791
11
- A Rake's Progress, Plate I: He Takes Possession
- 1735
12
- Colombus breaking the Egg
- 1753
13
- The Stage Coach; Or Country Inn Yard
- 1747
14
- A Rake's Progress, Plate VIII: In Bedlam
- 1735
15
- A Rake's Progress, Plate II: His Levee
- 1735
16
- A Consultation of Physicians
- 1736
17
- Simon Lord Lovat
- 1746
18
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
19
- Subscription Ticket: Three Characters and Four Caricaturas
- 1743
20
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
21
- Gulielmus Hogarth
- 1749
22
- And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
- 1752
23
- Fair Scene
- 1733
24
- The Four Times of Day, Plate II: Noon
- 1738
25
- The Four Times of Day, Plate IV: Night
- 1738
26
- The Four Times of Day, Plate I: Morning
- 1738
27
- William Hogarth
- 1764
28
- Prospectus print "Crown & Mitre"
- 1754
29
- And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
- 1752
30
- A Midnight Modern Conversation
- 1733
31
- Southwark Fair
- 1733
32
- A Rake's Progress, Plate IV: Goes to Court
- 1735
33
- A Rake's Progress, Plate III: He Revels
- 1735
34
- A Rake's Progress, Plate VII: In Fleet Street Prison
- 1735
35
- A Rake's Progress, Plate V: He Marries
- 1735
36
- Scholars at a Lecture (A Chorus of Singers)
- 1736
37
- A Rake's Progress, Plate VI: He Gambles
- 1735
38
- The Sleeping Congregation
- 1736
39
- Strolling Actresses Dressing in a Barn
- 1738
40
- The Enraged Musician
- 1741
41
- The Distrest(ed) Poet
- 1740
42
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
43
- The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
- 1751
44
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
45
- Analysis of Beauty, Plate II: A Country Dance
- 1753
46
- The Invasion, Plate I: France
- 1756
47
- An Election Entertainment, Plate I
- 1755-58
48
- The Invasion, Plate II: England
- 1756
49
- Chairing the Members, Plate IV
- 1758
50
- The Bench
- 1758
51
- The Cockpit
- 1759
52
- The Laughing Audience
- 1733
53
- Hogarth Painting the Comic Muse
- 1764
54
- The Polling, Plate III
- 1758
55
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
56
- The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
- 1789
57
- The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
- 1789
58
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
59
- The Complaint and the Consolation; or Night Thoughts (and title page)
- 1797
60
- Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
- 1797
61
- Plate 3 (page 4): 'What, though my soul fantastick measures trod'
- 1797
62
- Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
- 1797
63
- Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
- 1797
64
- Plate 13 (page 23): 'We censure nature for a span too short'
- 1797
65
- Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
- 1797
66
- Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
- 1797
67
- Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
- 1797
68
- Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
- 1797
69
- Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
- 1797
70
- Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
- 1797
71
- The Book of Thel, Plate 2, Title Page
- 1789
72
- Plate 12 (page 19): 'Emblem of that which shall awake the dead'
- 1797
73
- Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
- 1797
74
- Plate 21 (page 37): 'Love, and love only, is the loan for love'
- 1797
75
- Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
- 1797
76
- Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
- 1797
77
- Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
- 1797
78
- Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
- 1797
79
- Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
- 1797
80
- The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
- 1789
81
- The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
- 1789
82
- Plate 6 (page 10): 'Disease invades the chastest temperence'
- 1797
83
- Plate 7 (page 12): 'Its favours here are trials, not rewards'
- 1797
84
- Plate 8 (page 13): 'The present moment terminates our sight'
- 1797
85
- Plate 15 (page 25): 'Behold him, when past by; what then is seen'
- 1797
86
- Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
- 1797
87
- Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
- 1797
88
- Plate 22 (page 40): ' Angels should paint it, angels ever there'
- 1797
89
- Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
- 1794
![William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'](https://media.collections.yale.edu/thumbnail/ycba/5a919703-759e-494b-a892-d66a8288096b)
90
- Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
- 1797
91
- The Book of Thel, Plate 1, "Thel's Motto . . . ."
- 1789
92
- Plate 9 (page 15):' The longest night though longer far, would fail'
- 1797
93
- Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
- 1797
94
- Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
- 1797
95
- Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
- 1797
96
- Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
- 1797
97
- Plate 37 (page 86): 'His hand the good man fastens on the skies'
- 1797
98
- Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
- 1797
99
- Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
- 1797
100
- Plate 41 (page 92): 'When faith is virtue, reason makes it so'
- 1797