Credit Line: Yale Center for British Art, Paul Mellon Fund / Period: 18th century / Classification: Drawing & Watercolors-Architectural - YCBA Collections Search Search Results

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Credit Line Yale Center for British Art, Paul Mellon Fund

Period 18th century

Classification Drawing & Watercolors-Architectural

1. Design for a substantial villa. The `Forefront' and profile plan of the front elevation.

No cover image available

Creator:: Stephen Riou, 1720–1780
Date:: 1770
Materials & Techniques:: Graphite, pen and brown and black ink, watercolor on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 16 15/16 × 24 7/16 inches (43 × 62 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'

No cover image available

Creator:: Stephen Riou, 1720–1780
Date:: 1762
Materials & Techniques:: Watercolor, pen and black ink, graphite on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 7 5/16 x 20 7/8 inches (18.6 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. Design for a villa: `The Ground Plan and Elevations of a Villa'

No cover image available

Creator:: Stephen Riou, 1720–1780
Date:: 1770
Materials & Techniques:: Graphite, pen and brown and black ink, watercolor on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 15 3/4 × 24 7/16 inches (40 × 62 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan.

No cover image available

Creator:: Stephen Riou, 1720–1780
Date:: 1763
Materials & Techniques:: Graphite, pen and brown and black ink, watercolor on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 16 9/16 × 24 7/16 inches (42 × 62 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund