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Credit Line Yale Center for British Art, Paul Mellon Fund

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Period 19th century-20th century

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Subject Terms dress

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Subject Terms women

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June - Society at the Drawing Room
Creator:
Print made by Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Wood-engraving
Dimensions:
Sheet: 6 1/2 x 9 1/2in. (16.5 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
London Damsels
Creator:
Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Graphite and gray wash on moderately thick, slightly textured, cream card
Dimensions:
Sheet: 7 1/2 × 5 inches (19.1 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
July - Society Masquerading
Creator:
Print made by Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Wood-engraving
Dimensions:
Sheet: 6 3/4 x 3 1/4in. (17.1 x 8.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Third Volume
Creator:
Print made by Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Wood-engraving
Dimensions:
Sheet: 3 3/4 x 4in. (9.5 x 10.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Christmas Belles
Creator:
Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 4 1/2 inches (19.1 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Shopping
Creator:
Print made by Florence Claxton, active 1855–1889
Date:
undated
Materials & Techniques:
Wood-engraving
Dimensions:
Sheet: 6 1/2 x 9 3/4in. (16.5 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
October - Society in the Field
Creator:
Print made by Adelaide Claxton, 1858–1905
Date:
undated
Materials & Techniques:
Wood-engraving
Dimensions:
Sheet: 6 3/8 x 9 1/8in. (16.2 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund