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Credit Line Yale Center for British Art, Paul Mellon Fund
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon FundPeriod 20th century
Remove constraint Period: 20th centuryGenre architectural subject
Remove constraint Genre: architectural subjectImage Available Available
Remove constraint Image Available: AvailableWork Type intaglio print
Remove constraint Work Type: intaglio printSearch Results
- Date:
- 1923
- Materials & Techniques:
- Drypoint on medium, slightly textured, beige Asian paper
- Dimensions:
- Sheet: 15 3/16 x 11 1/8 inches (38.5 x 28.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1908
- Materials & Techniques:
- Etching on medium, slightly textured, cream wove paper
- Dimensions:
- Sheet: 37 1/2in. (95.3cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1924
- Materials & Techniques:
- Aquatint; 2nd state on medium, slightly textured, light blue laid paper
- Dimensions:
- Sheet: 5 5/8 × 7 3/8 inches (14.3 × 18.7 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1923
- Materials & Techniques:
- Drypoint and etching on moderately thick, slightly textured, cream Asian paper
- Dimensions:
- Sheet: 15 11/16 x 13 7/16 inches (39.9 x 34.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
5. V
- Date:
- 1990
- Materials & Techniques:
- Aquatint and openbite etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
6. IV
- Date:
- 1990
- Materials & Techniques:
- Aquatint, burnishing, sugarlift, openbite and softground etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1992
- Materials & Techniques:
- Screen print with mezzotint on 300gsm Somerset Satin white wove paper
- Dimensions:
- Sheet: 28 × 34 3/4 inches (71.1 × 88.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
8. XXXIX
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, aquatint, openbite, drypoint scraping, burnishing, and polishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
9. XIX
- Date:
- 1990
- Materials & Techniques:
- Initial faint hardground drawing, then aquatint and openbite etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
10. XXXIII
- Date:
- 1990
- Materials & Techniques:
- Sugarlift etching in 3 stages, the first bitten in 2 stages on coarse grain aquatint, second bitten in 3 states on fine aquatint, third bitten once only, then two openbites through varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
11. XXXIV
- Date:
- 1990
- Materials & Techniques:
- Lavender oil on hardground and spitbite etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
12. XXXV
- Date:
- 1990
- Materials & Techniques:
- Spitbite, openbite, softground, and creeping bite etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund