Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
1797
17
William Blake, 1757–1827
Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
18
William Blake, 1757–1827
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
1797
19
William Blake, 1757–1827
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
20
William Blake, 1757–1827
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
21
William Blake, 1757–1827
Plate 37 (page 86): 'His hand the good man fastens on the skies'
1797
22
William Blake, 1757–1827
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
23
William Blake, 1757–1827
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
24
William Blake, 1757–1827
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
1797
25
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
26
William Blake, 1757–1827
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
27
William Blake, 1757–1827
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
28
William Blake, 1757–1827
Plate 8 (page 13): 'The present moment terminates our sight'
1797
29
Engravings by William Blake, 1757–1827
Plate 9 (page 15):' The longest night though longer far, would fail'
1797
30
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
31
William Blake, 1757–1827
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
32
William Blake, 1757–1827
Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
1797
33
William Blake, 1757–1827
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
34
William Blake, 1757–1827
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
1797
35
William Blake, 1757–1827
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
1797
36
William Blake, 1757–1827
Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
1797
37
William Blake, 1757–1827
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
38
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
39
Print made by Thomas Prattent, active 1780–1810
North View of the New Buildings at the Bank of England (page 20, volume 1)
1797
40
Thomas Gaugain, 1748–1812
Turnips and Carrots Ho
1797
41
unknown artist
Transept of St. Paul's from the North Entrance
1797
42
unknown artist
St. Peter le Poor, Broad Street
1797
43
John Thomas Smith, 1766–1833
Near Deptford, Kent
1797
44
James Peller Malcolm, 1767–1815
Mr. Alderman Curtis's Southgate Outer Suburb - North
1797
45
John Thomas Smith, 1766–1833
Near Ball's Cross, Enfield, Outer Suburb - North
1797
46
John Thomas Smith, 1766–1833
In Green Street, Enfield Highway, Outer Suburb North
1797
47
Christian Josi, ca. 1765–1828
Peace
ca. 1802
48
unknown artist
Typus, Parcchia Divi Marini vulgi St. Martin's Outwich
1797
49
unknown artist
Landscape
1797
50
Thomas Rowlandson, 1756–1827
Set of Six Views in London, (Turn Pike series)
1797
51
unknown artist
Set a Thief to Catch a Thief
ca. 1802
52
unknown artist
Macklin's Gallery of Modern Paintings
1797
53
Richard Newton, 1777–1798
The Ins and Outs or the Jesuits treatment of his friends
1797
54
Christian Josi, ca. 1765–1828
The Peasant's Repast
1797
55
John Thomas Smith, 1766–1833
Near Battle Bridge, Middlesex
1797
56
unknown artist
Plumstead, Kent
1797
57
Francesco Bartolozzi, 1728–1815
Flight Into Egypt
1797
58
Francesco Bartolozzi, 1728–1815
The Apotheothis of a Beautiful Female Delineated Under the Emblem of Faith Leading the Soul to Paradise
1797
59
Henry Hoppner Meyer, ca. 1782–1847
Wilkie
undated
60
William Sadler, c. 1782–1839
John Ralston
undated
61
Francesco Bartolozzi, 1728–1815
Abraham Entertaining Three Angels, Genesis 18, v. 1
1797
62
Francesco Bartolozzi, 1728–1815
Jacob's Vision, Genesis 28, v. II
1797
63
William Knight, active 1807–1845
View of London from Highgate
1797
64
James Peller Malcolm, 1767–1815
Richmond Church, Surry, Western Outer Suburb
1797
65
Thomas Prattent, active 1780–1810
Spanish Ambassadors House Manchester Square and Old Houses in Long Lane West Smithfield
1797
66
unknown artist
Kings Yard, Deptford
1797
67
after James Peller Malcolm, 1767–1815
Wyer Hall, Edmonton, Outer Suburb - North
1797
68
John Thomas Smith, 1766–1833
Near Palmer's Green, Edmonton, Outer Suburb - North
1797
69
John Thomas Smith, 1766–1833
In Bury Street, Edmonton, Outer Suburb - North
1797
70
John Thomas Smith, 1766–1833
On Scotland's Green, Ponder's - End, Outer Suburb - North
1797
71
John Thomas Smith, 1766–1833
In Bury Street, Edmonton Outer Suburb - North
1797
72
John Thomas Smith, 1766–1833
Near Edmonton Church, Outer Suburb - North
1797
73
John Thomas Smith, 1766–1833
In Green Street, Enfield Highway, Outer Suburb North
1797
74
unknown artist
St. Peter le Poor, Broad Street
1797
75
unknown artist
Shoreditch Church, North West
1797
76
James Peller Malcolm, 1767–1815
Brook House, Hackney
1797
77
Francesco Bartolozzi, 1728–1815
Princess Charlotte Augusta
1797
78
Francesco Bartolozzi, 1728–1815
Princess Charlotte Augusta
1797
79
unknown artist
Old Houses in Duke Street West Smithfield
1797
80
George Murray, died 1822
View of Somerset House
1797
81
Philip Audinet, 1766–1837
West View of Temple Bar
1797
82
Francesco Bartolozzi, 1728–1815
The Birth of Pyrrhus
1797
83
unknown artist
Arcade of the North Front of the Royal Exchange
1797
84
William Angus, 1752–1821
Lambeth Palace in Surrey, the Seat of the Archbishop of Canterbury
1797
85
John Thomas Smith, 1766–1833
Near Jack Straw's Castle, Hampstead Heath
1797
86
unknown artist
Entrance of St. George's Road on the Obelisk Turnpike with a View of the Royal Circus
1797
87
Print made by Francesco Bartolozzi, 1728–1815
Luís Pinto De Sousa Coutinho, Visconde De Balsemão
1797
88
Philip Audinet, 1766–1837
View of the Tower
1797
89
John Thomas Smith, 1766–1833
In Green Street, Enfield Highway, Outer Suburb North
1797
90
John Ogborne the Elder, 1755–1795
The Discovery of Prince Arthur's Tomb by the Inscription on the Leaden Cross (Laid down on the same sheet as B1977.14.12069)
1797
91
Francesco Bartolozzi, 1728–1815
The Apotheosis of A Beautiful Female
1797
92
unknown artist
Entrance of Piccadilly or Hyde Park Corner Turnpike
1797
93
Print made by Francesco Bartolozzi, 1728–1815
Their Royal Highnesses, The Prince & Princess Of Wales
1797
94
Print made by Francesco Bartolozzi, 1728–1815
Luís Pinto De Sousa Coutinho, Visconde De Balsemão
1797
95
unknown artist
Melbourne House, White-Hall
1797
96
Francesco Bartolozzi, 1728–1815
The Birth of Pyrrhus
1797
97
Thomas Medland, 1755–1823
Temple of Friendship
1797
98
Whereas the game within the manor of Pinkhurst, and in several parts of the parishes of Itchingfield, Slinfold, Billingshurst, and Rudgwick, in the county of Sussex, has of late years, and up to the present time, been greatly destroyed by poachers, unqualified, and unlicenced persons ..