Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One)
1780
2
Print made by T. Thornton, active 1780–1789
The Devastations occasioned by the Rioters of London Firing the New Goal of Newgate and burning Mr. Akerman's furniture & c. June 6, 1780
1780
3
Robert Blyth, 1750–1784
Portraits of James Smithson, Marshall of the King's Bench 1422 and his wife Alice Whitworth (Laid down on the same sheet as B1977.14.12074)
1780
4
Charles Reuben Ryley, 1752–1798
Two Women at Toilette
1780
5
John Raphael Smith, 1752–1812
The Fruit Barrow
1780
6
unknown artist
Procession of the Protestant Association to Westminster
1780
7
Francesco Bartolozzi, 1728–1815
I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
ca.1785
8
Francesco Bartolozzi, 1728–1815
Three Cupids With Bows & Arrows, And Two Doves
ca.1785
9
Francesco Bartolozzi, 1728–1815
Three Putti And A Goat
ca.1785
10
Francesco Bartolozzi, 1728–1815
Classical Scene: Woman, Two Children, One Sheep, Man Reading In Background
ca.1785
11
Francesco Bartolozzi, 1728–1815
Sir Henry Clinton, K.B
1780
12
Francesco Bartolozzi, 1728–1815
Vignette: Angel Holding Medallion Of Composer. G.F. Handel
ca.1785
13
Francesco Bartolozzi, 1728–1815
Lavinia, The Milk Maid
ca.1785
14
Francesco Bartolozzi, 1728–1815
Medalian Design Of Francis Hutchenson, A Philosopher (Above) and Laurence Natter, A Medalist (Center)
1780
15
Robert Blyth, 1750–1784
Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
1780
16
Robert Blyth, 1750–1784
Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
1780
17
Robert Blyth, 1750–1784
Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)
1780
18
Robert Blyth, 1750–1784
Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)
1780
19
James Gillray, 1756–1815
National Discourse
1780
20
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
ca.1785
21
Francis Chesham, 1749–1806
View of the Encampment in Hyde Park, from Marshal Sac's Tent
1780
22
unknown artist
A View of Mr. Browne's House in Rochampton Lane and the havoc made on his premises by the dreadful Storm on Sunday Night, 15th October 1780
1780
23
William Watts, 1752–1851
The Lodge, in Richmond Park, the residence of Phillip Medows, Esquire, West Suburb
1780
24
Francesco Bartolozzi, 1728–1815
Cupid's Manufactory
ca.1785
25
Francesco Bartolozzi, 1728–1815
Che L'uom Trae Dal Sepolgro E A Morte Fura
c.1780
26
Francesco Bartolozzi, 1728–1815
Vide Howard On Prisons
1780
27
Francesco Bartolozzi, 1728–1815
Miniature Of Elizabeth Farren, Countess Of Derby
ca.1785
28
Francesco Bartolozzi, 1728–1815
Group Of Four Children
ca.1785
29
Charles Reuben Ryley, 1752–1798
Monster with Maiden
1780
30
Charles Reuben Ryley, 1752–1798
Bacchanalian with Maiden
1780
31
Charles Reuben Ryley, 1752–1798
Putti Dancing to the Pipe and Tambourine
1780
32
Robert Blyth, 1750–1784
Fisherman
1780
33
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
34
Charles Reuben Ryley, 1752–1798
Soldier with A Pike
1780
35
Robert Blyth, 1750–1784
Rustick Dance
1780
36
Francesco Bartolozzi, 1728–1815
His Ego Ne Metas Rerum, Nec Tempora Pono:..
ca.1785
37
Francesco Bartolozzi, 1728–1815
Socrates
1780
38
Francesco Bartolozzi, 1728–1815
Roman General Julius Caesar Dedicating the Temple of Venus Genetrix in the Forum of Caesar, Rome, 46BC
1780
39
unknown artist
The Old Boat Public House, Cromer Street, Judd Street
1780
40
unknown artist
The Three Hats Public-house and other Old House, Islington
1780
41
James Fittler, 1758–1835
View of the Encampment in the Museum Gardens, August 1780
1780
42
unknown artist
The Burning and Plundering of Newgate and Setting the Felons at Liberty by the Mob
1780
43
Henry Roberts, ca. 1710–1790
An Exact Representation of the Burning, Plundering, and Destruction of Newgate by the Rioters
1780
44
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
45
Thomas Bowles, ca. 1712–died 1753
A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
between 1780 and 1815
46
Thomas Bowles, ca. 1712–died 1753
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
47
John Bowles, 1701–1779
A Perspective View of Venice
between 1780 and 1815
48
unknown artist
The City of Dresden
between 1780 and 1815
49
Nathaniel Parr, active 1742–1751
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
between 1780-1815
50
J. Carwitham, active 1720–1740
A South-East View of the City of Boston in North America
undated
51
Print made by John Chapman, act. 1772–1778
Collection of Prints by Notable Dilettanti
ca. 1785
52
Thomas Colley, active 1780s
The English Lion Dismember'd
1780
53
unknown artist
[ man with a candle ]
178-?
54
unknown artist
The Whore of Babylons Caravan with a Cargo of Popish Blessings
1780
55
Francesco Bartolozzi, 1728–1815
Vignette: Monk Giving Letter to a Pregnant Woman in a Cell
ca.1785
56
Francesco Bartolozzi, 1728–1815
Illustration From Bell's Edition of The Poets of Great Britain
ca. 1785
57
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
1780
58
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
ca.1785
59
Francesco Bartolozzi, 1728–1815
Time and Beauty
1780
60
Francesco Bartolozzi, 1728–1815
Cipriani's Daughter
ca.1785
61
Francesco Bartolozzi, 1728–1815
Diana of Ephesus Being Unveiled by Cupid and Mercury
ca.1785
62
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
63
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
64
Print made by unknown artist
James Northcote
between 1780 and 1820
65
Thomas Bowles, ca. 1712–died 1753
A View of Amsterdam on each side the Old Rampart as seen from the Harbor
between 1780 and 1815
66
Thomas Bowles, ca. 1712–died 1753
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
67
unknown artist
A View of the Ruins of the Temple of Jupiter Olympius at Athens
between 1780 and 1815
68
Thomas Bowles, ca. 1712–died 1753
A Perspective View of the Town and Fortifications of Malta
between 1780 and 1815
69
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
1780
70
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
1780
71
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
72
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
1780
73
Engraved by James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
1780
74
Attributed to Sir Joseph Ayloffe, 1709–1781
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
1780
75
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
1780
76
unknown artist
Windsor Castle from the Black Road [page not numbered] (Volume Three)
1780
77
unknown artist
South Terrace, Windsor(from a small set of Windsor views); page 104 (Volume Three)
1780
78
Francesco Bartolozzi, 1728–1815
Fan Mount: Decorated with three Medallions, the Central Medallion represents Love holding a Lyre and Seated on a Lion
1780
79
Print made by Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mrs. Grassi
1780
80
Francesco Bartolozzi, 1728–1815
Hope Nursing Love (Fan)
1780
81
Francesco Bartolozzi, 1728–1815
Fan Mount: Hope Nursing Love
1780
82
[Commercial traveler's catalog of silver-plated ware, possibly made in Sheffield]
[ca. 1780]
83
[Commercial traveler's catalog of silver-plated ware, possibly made in Sheffield]