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William Watts Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One)
William Watts, 1752–1851
Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One)
1780
T. Thornton The Devastations occasioned by the Rioters of London Firing the New Goal of Newgate and burning Mr. Akerman's furniture & c. June 6, 1780
Print made by T. Thornton, active 1780–1789
The Devastations occasioned by the Rioters of London Firing the New Goal of Newgate and burning Mr. Akerman's furniture & c. June 6, 1780
1780
Robert Blyth Portraits of James Smithson, Marshall of the King's Bench 1422 and his wife Alice Whitworth (Laid down on the same sheet as B1977.14.12074)
Robert Blyth, 1750–1784
Portraits of James Smithson, Marshall of the King's Bench 1422 and his wife Alice Whitworth (Laid down on the same sheet as B1977.14.12074)
1780
Charles Reuben Ryley Two Women at Toilette
Charles Reuben Ryley, 1752–1798
Two Women at Toilette
1780
John Raphael Smith The Fruit Barrow
John Raphael Smith, 1752–1812
The Fruit Barrow
1780
unknown artist Procession of the Protestant Association to Westminster
unknown artist
Procession of the Protestant Association to Westminster
1780
Francesco Bartolozzi I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
Francesco Bartolozzi, 1728–1815
I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
ca.1785
Francesco Bartolozzi Three Cupids With Bows & Arrows, And Two Doves
Francesco Bartolozzi, 1728–1815
Three Cupids With Bows & Arrows, And Two Doves
ca.1785
Francesco Bartolozzi Three Putti And A Goat
Francesco Bartolozzi, 1728–1815
Three Putti And A Goat
ca.1785
Francesco Bartolozzi Classical Scene: Woman, Two Children, One Sheep, Man Reading In Background
Francesco Bartolozzi, 1728–1815
Classical Scene: Woman, Two Children, One Sheep, Man Reading In Background
ca.1785
Francesco Bartolozzi Sir Henry Clinton, K.B.
Francesco Bartolozzi, 1728–1815
Sir Henry Clinton, K.B
1780
Francesco Bartolozzi Vignette: Angel Holding Medallion Of Composer. G.F. Handel
Francesco Bartolozzi, 1728–1815
Vignette: Angel Holding Medallion Of Composer. G.F. Handel
ca.1785
Francesco Bartolozzi Lavinia, The Milk Maid
Francesco Bartolozzi, 1728–1815
Lavinia, The Milk Maid
ca.1785
Francesco Bartolozzi Medalian Design Of Francis Hutchenson, A Philosopher (Above) and Laurence Natter, A Medalist (Center)
Francesco Bartolozzi, 1728–1815
Medalian Design Of Francis Hutchenson, A Philosopher (Above) and Laurence Natter, A Medalist (Center)
1780
Robert Blyth Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
Robert Blyth, 1750–1784
Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
1780
Robert Blyth Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
Robert Blyth, 1750–1784
Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
1780
Robert Blyth Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)
Robert Blyth, 1750–1784
Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)
1780
Robert Blyth Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)
Robert Blyth, 1750–1784
Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)
1780
James Gillray National Discourse
James Gillray, 1756–1815
National Discourse
1780
Francesco Bartolozzi Ticket to Mr. Fierville's Ball
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
ca.1785
Francis Chesham View of the Encampment in Hyde Park, from Marshal Sac's Tent
Francis Chesham, 1749–1806
View of the Encampment in Hyde Park, from Marshal Sac's Tent
1780
unknown artist A View of Mr. Browne's House in Rochampton Lane and the havoc made on his premises by the dreadful Storm on Sunday Night, 15th October 1780
unknown artist
A View of Mr. Browne's House in Rochampton Lane and the havoc made on his premises by the dreadful Storm on Sunday Night, 15th October 1780
1780
William Watts The Lodge, in Richmond Park, the residence of Phillip Medows, Esquire, West Suburb
William Watts, 1752–1851
The Lodge, in Richmond Park, the residence of Phillip Medows, Esquire, West Suburb
1780
Francesco Bartolozzi Cupid's Manufactory
Francesco Bartolozzi, 1728–1815
Cupid's Manufactory
ca.1785
Francesco Bartolozzi Che L'uom Trae Dal Sepolgro E A Morte Fura
Francesco Bartolozzi, 1728–1815
Che L'uom Trae Dal Sepolgro E A Morte Fura
c.1780
Francesco Bartolozzi Vide Howard On Prisons
Francesco Bartolozzi, 1728–1815
Vide Howard On Prisons
1780
Francesco Bartolozzi Miniature Of Elizabeth Farren, Countess Of Derby
Francesco Bartolozzi, 1728–1815
Miniature Of Elizabeth Farren, Countess Of Derby
ca.1785
Francesco Bartolozzi Group Of Four Children
Francesco Bartolozzi, 1728–1815
Group Of Four Children
ca.1785
Charles Reuben Ryley Monster with Maiden
Charles Reuben Ryley, 1752–1798
Monster with Maiden
1780
Charles Reuben Ryley Bacchanalian with Maiden
Charles Reuben Ryley, 1752–1798
Bacchanalian with Maiden
1780
Charles Reuben Ryley Putti Dancing to the Pipe and Tambourine
Charles Reuben Ryley, 1752–1798
Putti Dancing to the Pipe and Tambourine
1780
Robert Blyth Fisherman
Robert Blyth, 1750–1784
Fisherman
1780
Charles Reuben Ryley The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
Charles Reuben Ryley Soldier with A Pike
Charles Reuben Ryley, 1752–1798
Soldier with A Pike
1780
Robert Blyth Rustick Dance
Robert Blyth, 1750–1784
Rustick Dance
1780
Francesco Bartolozzi His Ego Ne Metas Rerum, Nec Tempora Pono:...
Francesco Bartolozzi, 1728–1815
His Ego Ne Metas Rerum, Nec Tempora Pono:..
ca.1785
Francesco Bartolozzi Socrates
Francesco Bartolozzi, 1728–1815
Socrates
1780
Francesco Bartolozzi Roman General Julius Caesar Dedicating the Temple of Venus Genetrix in the Forum of Caesar, Rome, 46BC
Francesco Bartolozzi, 1728–1815
Roman General Julius Caesar Dedicating the Temple of Venus Genetrix in the Forum of Caesar, Rome, 46BC
1780
unknown artist The Old Boat Public House, Cromer Street, Judd Street
unknown artist
The Old Boat Public House, Cromer Street, Judd Street
1780
unknown artist The Three Hats Public-house and other Old House, Islington
unknown artist
The Three Hats Public-house and other Old House, Islington
1780
James Fittler View of the Encampment in the Museum Gardens, August 1780
James Fittler, 1758–1835
View of the Encampment in the Museum Gardens, August 1780
1780
unknown artist The Burning and Plundering of Newgate and Setting the Felons at Liberty by the Mob
unknown artist
The Burning and Plundering of Newgate and Setting the Felons at Liberty by the Mob
1780
Henry Roberts An Exact Representation of the Burning, Plundering, and Destruction of Newgate by the Rioters
Henry Roberts, ca. 1710–1790
An Exact Representation of the Burning, Plundering, and Destruction of Newgate by the Rioters
1780
Charles Reuben Ryley The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
Thomas Bowles A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
Thomas Bowles, ca. 1712–died 1753
A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
between 1780 and 1815
Thomas Bowles A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
Thomas Bowles, ca. 1712–died 1753
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
John Bowles A Perspective View of Venice
John Bowles, 1701–1779
A Perspective View of Venice
between 1780 and 1815
unknown artist The City of Dresden
unknown artist
The City of Dresden
between 1780 and 1815
Nathaniel Parr A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
Nathaniel Parr, active 1742–1751
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
between 1780-1815
J. Carwitham A South-East View of the City of Boston in North America
J. Carwitham, active 1720–1740
A South-East View of the City of Boston in North America
undated
John Chapman Collection of Prints by Notable Dilettanti
Print made by John Chapman, act. 1772–1778
Collection of Prints by Notable Dilettanti
ca. 1785
Thomas Colley The English Lion Dismember'd
Thomas Colley, active 1780s
The English Lion Dismember'd
1780
unknown artist [ man with a candle ]
unknown artist
[ man with a candle ]
178-?
unknown artist The Whore of Babylons Caravan with a Cargo of Popish Blessings
unknown artist
The Whore of Babylons Caravan with a Cargo of Popish Blessings
1780
Francesco Bartolozzi Vignette: Monk Giving Letter to a Pregnant Woman in a Cell
Francesco Bartolozzi, 1728–1815
Vignette: Monk Giving Letter to a Pregnant Woman in a Cell
ca.1785
Francesco Bartolozzi Illustration From Bell's Edition of The Poets of Great Britain
Francesco Bartolozzi, 1728–1815
Illustration From Bell's Edition of The Poets of Great Britain
ca. 1785
Francesco Bartolozzi Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
1780
Francesco Bartolozzi Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
ca.1785
Francesco Bartolozzi Time and Beauty
Francesco Bartolozzi, 1728–1815
Time and Beauty
1780
Francesco Bartolozzi Cipriani's Daughter
Francesco Bartolozzi, 1728–1815
Cipriani's Daughter
ca.1785
Francesco Bartolozzi Diana of Ephesus Being Unveiled by Cupid and Mercury
Francesco Bartolozzi, 1728–1815
Diana of Ephesus Being Unveiled by Cupid and Mercury
ca.1785
Francesco Bartolozzi Concert Ticket: Benefit Night of Luigi Borghi
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
Charles Reuben Ryley The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
unknown artist James Northcote
Print made by unknown artist
James Northcote
between 1780 and 1820
Thomas Bowles A View of Amsterdam on each side the Old Rampart as seen from the Harbor
Thomas Bowles, ca. 1712–died 1753
A View of Amsterdam on each side the Old Rampart as seen from the Harbor
between 1780 and 1815
Thomas Bowles A View of Little St. Mark's Place at Venice to the Sea
Thomas Bowles, ca. 1712–died 1753
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
unknown artist A View of the Ruins of the Temple of Jupiter Olympius at Athens
unknown artist
A View of the Ruins of the Temple of Jupiter Olympius at Athens
between 1780 and 1815
Thomas Bowles A Perspective View of the Town and Fortifications of Malta
Thomas Bowles, ca. 1712–died 1753
A Perspective View of the Town and Fortifications of Malta
between 1780 and 1815
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
Engraved by James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
1780
Sir Joseph Ayloffe An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
Attributed to Sir Joseph Ayloffe, 1709–1781
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
1780
unknown artist Windsor Castle from the Black Road [page not numbered] (Volume Three)
unknown artist
Windsor Castle from the Black Road [page not numbered] (Volume Three)
1780
unknown artist South Terrace, Windsor(from a small set of Windsor views); page 104 (Volume Three)
unknown artist
South Terrace, Windsor(from a small set of Windsor views); page 104 (Volume Three)
1780
Francesco Bartolozzi Fan Mount: Decorated with three Medallions, the Central Medallion represents Love holding a Lyre and Seated on a Lion
Francesco Bartolozzi, 1728–1815
Fan Mount: Decorated with three Medallions, the Central Medallion represents Love holding a Lyre and Seated on a Lion
1780
Francesco Bartolozzi Ticket for the Benefit of Mrs. Grassi
Print made by Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mrs. Grassi
1780
Francesco Bartolozzi Hope Nursing Love (Fan)
Francesco Bartolozzi, 1728–1815
Hope Nursing Love (Fan)
1780
Francesco Bartolozzi Fan Mount: Hope Nursing Love
Francesco Bartolozzi, 1728–1815
Fan Mount: Hope Nursing Love
1780
 [Commercial traveler's catalog of silver-plated ware, possibly made in Sheffield].
[Commercial traveler's catalog of silver-plated ware, possibly made in Sheffield]
[ca. 1780]
 [Commercial traveler's catalog of silver-plated ware, possibly made in Sheffield].
[Commercial traveler's catalog of silver-plated ware, possibly made in Sheffield]
[ca. 1780]