Date: 1796 / Image Available: Unavailable / Image Use: Free to Use / Classification: Prints

Creator:: Print made by John Gisborne, active ca. 1800
Date:: 1796
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 27 1/2 inches (54.6 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

17. Hot Spice Gingerbread, Smoking Hot!

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 11 1/2 inches (39.4 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Doris M. Brixey

18. Album of Twenty Etchings of Shakespearian Subjects

Creator:: Carolina Leighton, active 1796
Date:: 1796
Materials & Techniques:: Etchings
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. A New Love Song, Only ha'Penny a Piece

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 11 1/2 inches (39.4 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection, Bequest of Doris M. Brixey

20. Whitehall

Creator:: Possibly Thomas Medland, 1755–1823
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Admiralty

Creator:: Thomas Medland, 1755–1823
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Old Palace Yard, Westminster

Creator:: Thomas Medland, 1755–1823
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. A Midsummer Night's Dream, Act IV, Scene I

Creator:: Peter Simon, 1750–1810
Date:: c.1796
Materials & Techniques:: Stipple, engraver's proof
Dimensions:: Sheet: 20 × 25 3/8 inches (50.8 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Dissolution, - or - The Alchymist Producing An Aetherial Representation (Pitt)

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 1/8 x 9 13/16in. (33.3 x 24.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. An Airing in Hyde Park

Creator:: Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 15 5/8 x 24 7/8in. (39.7 x 63.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Wimbledon House, in Surrey, the Seat of Monsieur Calonne (published by H.D. Symonds); page 95 (Volume Three)

Creator:: Hubert Robert, 1733–1808
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Shakespeare's Seven Ages

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Engraving and stipple engraving, semi-circular sheet
Dimensions:: Sheet: 11 1/8 x 20 11/16in. (28.3 x 52.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

28. Emilia, Duchess of Leinster

Creator:: William Dickinson, 1746–1823
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 7/8 × 12 5/16 inches (42.9 × 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Miss Wallis in the Character of Juliet

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1796
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 24 1/2 x 15 1/4in. (62.2 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

30. Alexander Wedderburn, 1st Earl of Rosslyn

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 24 5/8 × 17 7/8 inches (62.5 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Death of Dido

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1796
Materials & Techniques:: Mezzotint printed in brown ink
Dimensions:: Sheet: 19 x 12 1/2in. (48.3 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. An Airing in Hyde Park

Creator:: Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 7/8 x 26 3/4in. (45.4 x 67.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etchings Bound in 1/8 brown calf, marbled boards
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: Attributed to George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etchings, bound in original boards
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. An Airing in Hyde Park

Creator:: Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Views of Quebec: Falls of Montmorenci

Creator:: John William Edy, 1760–1820
Date:: 1796
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 21 3/16 x 29 3/4in. (53.8 x 75.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Thoughts on Outline, Sculpture, and the System that Guided Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 1/4 x 9 1/2in. (31.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

Creator:: George Cumberland, 1754–1848
Date:: 1796
Materials & Techniques:: Etching
Dimensions:: Sheet: 10 1/8 x 7 3/4in. (25.7 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Date 1796

Image Available Unavailable

Image Use Free to Use

Classification Prints

Search Results

1. Pl. 12: 'Psyche Disobeys'

2. Pl. 13: `Psyche Repents'

3. Pl. 14: `Venus Councels Cupid'

4. Pl. 14: `Venus Counsels Cupid'

5. Pl. 15: `The Conjugal Union of Cupid'

6. Pl. 16: `Cupid & Psyche'

7. Pl. 19: `Aristophanes Clouds. Scene I'

8. Pl. 15: `The Conjugal Union of Cupid'

9. Pl. 16: `Cupid & Psyche'

10. Pl. 18: `Iron Age'

11. Pl. 19: `Aristophanes Clouds. Scene I'

12. Pl. 23: `Anacreon Ode LII'

13. Pl. 13: `Psyche Repents.'

14. Pl. 23: `Anacreon Ode LII'

15. Pl. 12: `Psyche Disobeys.'

16. The Reconciliation

17. Hot Spice Gingerbread, Smoking Hot!

18. Album of Twenty Etchings of Shakespearian Subjects

19. A New Love Song, Only ha'Penny a Piece

20. Whitehall

21. The Admiralty

22. Old Palace Yard, Westminster

23. A Midsummer Night's Dream, Act IV, Scene I

24. The Dissolution, - or - The Alchymist Producing An Aetherial Representation (Pitt)

25. An Airing in Hyde Park

26. Wimbledon House, in Surrey, the Seat of Monsieur Calonne (published by H.D. Symonds); page 95 (Volume Three)

27. Shakespeare's Seven Ages

28. Emilia, Duchess of Leinster

29. Miss Wallis in the Character of Juliet

30. Alexander Wedderburn, 1st Earl of Rosslyn

31. The Death of Dido

32. An Airing in Hyde Park

33. Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...

34. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

35. An Airing in Hyde Park

36. Views of Quebec: Falls of Montmorenci

37. Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...

38. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

39. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

40. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

41. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

42. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

43. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

44. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

45. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

46. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

47. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

48. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

49. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

50. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

51. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

52. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

53. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

54. Thoughts on Outline, Sculpture, and the System that Guided Ancient Artists

55. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

56. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

57. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

58. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

59. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

60. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

61. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

62. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

63. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

64. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

65. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

66. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

67. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists

68. Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists