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Date 1797

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1. Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'

Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Plate 7 (page 12): 'Its favours here are trials, not rewards'

Plate 7 (page 12): 'Its favours here are trials, not rewards'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'

Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'

Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Plate 22 (page 40): ' Angels should paint it, angels ever there'

Plate 22 (page 40): ' Angels should paint it, angels ever there'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'

Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'

Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'

Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'

Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Plate 37 (page 86): 'His hand the good man fastens on the skies'

Plate 37 (page 86): 'His hand the good man fastens on the skies'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Plate 40 (page 90): 'That touch, with charm celestial heals the soul'

Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Plate 41 (page 92): 'When faith is virtue, reason makes it so'

Plate 41 (page 92): 'When faith is virtue, reason makes it so'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'

Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"

Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'

Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'

Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'

Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'

Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'

Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Plate 26 (page 49): 'As if the sun could envy, check'd his beam'

Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'

Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'

Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'

Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'

Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'

Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Plate 2 (page 1): 'Swift on his downy pinion flies from woe'

Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Plate 12 (page 19): 'Emblem of that which shall awake the dead'

Plate 12 (page 19): 'Emblem of that which shall awake the dead'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Plate 13 (page 23): 'We censure nature for a span too short'

Plate 13 (page 23): 'We censure nature for a span too short'
Creator:
Engravings by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Plate 15 (page 25): 'Behold him, when past by; what then is seen'

Plate 15 (page 25): 'Behold him, when past by; what then is seen'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Plate 43 (page 95): 'The goddess bursts in thunder and in flame'

Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Plate 3 (page 4): 'What, though my soul fantastick measures trod'

Plate 3 (page 4): 'What, though my soul fantastick measures trod'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Plate 6 (page 10): 'Disease invades the chastest temperence'

Plate 6 (page 10): 'Disease invades the chastest temperence'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Plate 8 (page 13): 'The present moment terminates our sight'

Plate 8 (page 13): 'The present moment terminates our sight'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Plate 9 (page 15):' The longest night though longer far, would fail'

Plate 9 (page 15):' The longest night though longer far, would fail'
Creator:
Engravings by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'

Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Plate 21 (page 37): 'Love, and love only, is the loan for love'

Plate 21 (page 37): 'Love, and love only, is the loan for love'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young

"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
Creator:
William Blake, 1757–1827
Date:
1797
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Plate 33 (page 72): 'And vapid; sense and reason shew the door'

Plate 33 (page 72): 'And vapid; sense and reason shew the door'
Creator:
William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. North View of the New Buildings at the Bank of England (page 20, volume 1)

North View of the New Buildings at the Bank of England (page 20, volume 1)
Creator:
Print made by Thomas Prattent, active 1780–1810
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Turnips and Carrots Ho

Turnips and Carrots Ho
Creator:
Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Set a Thief to Catch a Thief

Set a Thief to Catch a Thief
Creator:
unknown artist
Date:
ca. 1802
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Transept of St. Paul's from the North Entrance

Transept of St. Paul's from the North Entrance
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. St. Peter le Poor, Broad Street

St. Peter le Poor, Broad Street
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Spanish Ambassadors House Manchester Square and Old Houses in Long Lane West Smithfield

Spanish Ambassadors House Manchester Square and Old Houses in Long Lane West Smithfield
Creator:
Thomas Prattent, active 1780–1810
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Richmond Church, Surry, Western Outer Suburb

Richmond Church, Surry, Western Outer Suburb
Creator:
James Peller Malcolm, 1767–1815
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. St. Peter le Poor, Broad Street

St. Peter le Poor, Broad Street
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Shoreditch Church, North West

Shoreditch Church, North West
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Set of Six Views in London, (Turn Pike series)

Set of Six Views in London, (Turn Pike series)
Creator:
Thomas Rowlandson, 1756–1827
Date:
1797
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Landscape

Landscape
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Macklin's Gallery of Modern Paintings

Macklin's Gallery of Modern Paintings
Creator:
unknown artist
Date:
1797
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Peace

Peace
Creator:
Christian Josi, ca. 1765–1828
Date:
ca. 1802
Materials & Techniques:
Stipple
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. The Peasant's Repast

The Peasant's Repast
Creator:
Christian Josi, ca. 1765–1828
Date:
1797
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. The Apotheosis of A Beautiful Female

The Apotheosis of A Beautiful Female
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Plumstead, Kent

Plumstead, Kent
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Typus, Parcchia Divi Marini vulgi St. Martin's Outwich

Typus, Parcchia Divi Marini vulgi St. Martin's Outwich
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. View of the Tower

View of the Tower
Creator:
Philip Audinet, 1766–1837
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. The Apotheothis of a Beautiful Female Delineated Under the Emblem of Faith Leading the Soul to Paradise

The Apotheothis of a Beautiful Female Delineated Under the Emblem of Faith Leading the Soul to Paradise
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Luís Pinto De Sousa Coutinho, Visconde De Balsemão

Luís Pinto De Sousa Coutinho, Visconde De Balsemão
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Stipple engraving; early state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Princess Charlotte Augusta

Princess Charlotte Augusta
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. View of London from Highgate

View of London from Highgate
Creator:
William Knight, active 1807–1845
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Arcade of the North Front of the Royal Exchange

Arcade of the North Front of the Royal Exchange
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Near Battle Bridge, Middlesex

Near Battle Bridge, Middlesex
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Kings Yard, Deptford

Kings Yard, Deptford
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. On Scotland's Green, Ponder's - End, Outer Suburb - North

On Scotland's Green, Ponder's - End, Outer Suburb - North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Near Ball's Cross, Enfield, Outer Suburb - North

Near Ball's Cross, Enfield, Outer Suburb - North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. In Green Street, Enfield Highway, Outer Suburb North

In Green Street, Enfield Highway, Outer Suburb North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. In Green Street, Enfield Highway, Outer Suburb North

In Green Street, Enfield Highway, Outer Suburb North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Entrance of Piccadilly or Hyde Park Corner Turnpike

Entrance of Piccadilly or Hyde Park Corner Turnpike
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Entrance of St. George's Road on the Obelisk Turnpike with a View of the Royal Circus

Entrance of St. George's Road on the Obelisk Turnpike with a View of the Royal Circus
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. View of Somerset House

View of Somerset House
Creator:
George Murray, died 1822
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Old Houses in Duke Street West Smithfield

Old Houses in Duke Street West Smithfield
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Lambeth Palace in Surrey, the Seat of the Archbishop of Canterbury

Lambeth Palace in Surrey, the Seat of the Archbishop of Canterbury
Creator:
William Angus, 1752–1821
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. The Discovery of Prince Arthur's Tomb by the Inscription on the Leaden Cross (Laid down on the same sheet as B1977.14.12069)

The Discovery of Prince Arthur's Tomb by the Inscription on the Leaden Cross (Laid down on the same sheet as B1977.14.12069)
Creator:
John Ogborne the Elder, 1755–1795
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Brook House, Hackney

Brook House, Hackney
Creator:
James Peller Malcolm, 1767–1815
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Wyer Hall, Edmonton, Outer Suburb - North

Wyer Hall, Edmonton, Outer Suburb - North
Creator:
after James Peller Malcolm, 1767–1815
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Mr. Alderman Curtis's Southgate Outer Suburb - North

Mr. Alderman Curtis's Southgate Outer Suburb - North
Creator:
James Peller Malcolm, 1767–1815
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Near Palmer's Green, Edmonton, Outer Suburb - North

Near Palmer's Green, Edmonton, Outer Suburb - North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. In Bury Street, Edmonton, Outer Suburb - North

In Bury Street, Edmonton, Outer Suburb - North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Near Edmonton Church, Outer Suburb - North

Near Edmonton Church, Outer Suburb - North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Near Deptford, Kent

Near Deptford, Kent
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. In Bury Street, Edmonton Outer Suburb - North

In Bury Street, Edmonton Outer Suburb - North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. In Green Street, Enfield Highway, Outer Suburb North

In Green Street, Enfield Highway, Outer Suburb North
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Near Jack Straw's Castle, Hampstead Heath

Near Jack Straw's Castle, Hampstead Heath
Creator:
John Thomas Smith, 1766–1833
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Westminster Hall/ The First Day of Term/ A Satirical Poem

Westminster Hall/ The First Day of Term/ A Satirical Poem
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Their Royal Highnesses, The Prince & Princess Of Wales

Their Royal Highnesses, The Prince & Princess Of Wales
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Luís Pinto De Sousa Coutinho, Visconde De Balsemão

Luís Pinto De Sousa Coutinho, Visconde De Balsemão
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Princess Charlotte Augusta

Princess Charlotte Augusta
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. West View of Temple Bar

West View of Temple Bar
Creator:
Philip Audinet, 1766–1837
Date:
1797
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Flight Into Egypt

Flight Into Egypt
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Abraham Entertaining Three Angels, Genesis 18, v. 1

Abraham Entertaining Three Angels, Genesis 18, v. 1
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. The Birth of Pyrrhus

The Birth of Pyrrhus
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Stipple engraving and etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. John Ralston

John Ralston
Creator:
William Sadler, c. 1782–1839
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Wilkie

Wilkie
Creator:
Henry Hoppner Meyer, ca. 1782–1847
Date:
undated
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Jacob's Vision, Genesis 28, v. II

Jacob's Vision, Genesis 28, v. II
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. The Ins and Outs or the Jesuits treatment of his friends

The Ins and Outs or the Jesuits treatment of his friends
Creator:
Richard Newton, 1777–1798
Date:
1797
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Temple of Friendship

No cover image available
Creator:
Thomas Medland, 1755–1823
Date:
1797
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Melbourne House, White-Hall

No cover image available
Creator:
unknown artist
Date:
1797
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. The Birth of Pyrrhus

No cover image available
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Letter to John Thomas Smith.

Letter to John Thomas Smith.
Creator:
Constable, John, 1776–1837
Date:
1797, between January 16 and March 23
Physical Description:
1 item (1 p.) : ill. ; 28 cm.
Collection:
Rare Books and Manuscripts

100. The seasons, by James Thomson. Illustrated with engravings by F. Bartolozzi, R.A. and P.W. Tomkins, historical engravers to Their Majesties; from original pictures painted for the work by W. Hamilton, R.A.

The seasons, by James Thomson. Illustrated with engravings by F. Bartolozzi, R.A. and P.W. Tomkins, historical engravers to Their Majesties; from original pictures painted for the work by W. Hamilton, R.A.
Creator:
Thomson, James, 1700–1748
Date:
1797
Physical Description:
7 p.l., 244 p. col. front., col. ill., col. plates. 47 cm.
Collection:
Rare Books and Manuscripts