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Period 18th century

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Creator Gillray, James, 1756–1815

Remove constraint Creator: Gillray, James, 1756–1815

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unknown artist Four Figures on a Sheet
unknown artist
Four Figures on a Sheet
undated
James Gillray Sophia, Honour, and the Chambermaid
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
James Gillray Evacuation Before Resignation
James Gillray, 1756–1815
Evacuation Before Resignation
1782
James Gillray The Soliloquy
James Gillray, 1756–1815
The Soliloquy
1782
James Gillray Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
James Gillray Paille d'Avoine - Paille d'Avoine
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
James Gillray The Republican - Attack
James Gillray, 1756–1815
The Republican - Attack
1795
James Gillray Fatal Effect of the French Defeat - Hanging (and) Drowning
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
James Gillray French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
James Gillray Extirpation of the Plagues of Egypt
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
James Gillray The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
James Gillray Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
James Gillray Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
James Gillray Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
James Gillray Homer Singing His Verses to the Greeks
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
James Gillray The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
James Gillray The Grand-Signior Retiring
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
James Gillray Fashionable - Jockeyship
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
James Gillray Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
James Gillray A Sun Setting in a Fog, With The Old Hanover Hack Descending
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
James Gillray The - Battle Royal, or Who Wears the Breeches
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
James Gillray A Natural Crop; - Alias - A Norfolk Dumpling
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
James Gillray The April Fool or The Follies of a Night ---
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
James Gillray The Royal Academy
James Gillray, 1756–1815
The Royal Academy
1786
James Gillray Gloria Mundi, or - The Devil Addressing the Sun
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
James Gillray Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
James Gillray Gloria Mundi, or The Devil Addressing the Sun
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
James Gillray The Fall of the Wolsey of the Woolsack
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
James Gillray The Bubbles of Opposition
James Gillray, 1756–1815
The Bubbles of Opposition
1788
James Gillray Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
James Gillray A Coalition of Parties, Give Justice Her Claims
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
James Gillray Scene Le Vrog House
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
James Gillray The Minister In - The Minister Out
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
James Gillray The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
James Gillray The Prince at Grass --- The Prince in Clover
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
James Gillray Two New Sliders for the State Magic Lanthern
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
James Gillray The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
James Gillray Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
James Gillray The Apotheosis of Hoche
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
James Gillray Destruction of the French Collossus
James Gillray, 1756–1815
Destruction of the French Collossus
1798
James Gillray The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
James Gillray The High German Method of Destroying Vermin at Rat-Stadt
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
James Gillray Buonaparte Leaving Egypt
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
James Gillray Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended...
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
James Gillray New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
James Gillray The Leadenhall Volunteer, Drest in his Shawl
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
James Gillray The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
James Gillray The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
James Gillray The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
James Gillray A Man of Importance
James Gillray, 1756–1815
A Man of Importance
1799