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Exhibition History Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)

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1. Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1832
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 8 1/2 inches (28.6 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Loch Achray

Loch Achray
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Dead Eagle - Oran

The Dead Eagle - Oran
Creator:
Print made by William Miller, 1796–1882
Date:
1837
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/16 × 7 3/4 inches (31.3 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Temptation on the Mountain

The Temptation on the Mountain
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, with scraping out and touched with graphite (Engraver's Proof b)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Loch Katrine

Loch Katrine
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Ancient Italy - Ovid Banished from Rome

Ancient Italy - Ovid Banished from Rome
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1842
Materials & Techniques:
Etching and line engraving; engraver's proof (II, Moon's Impressions) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 1/8 × 36 1/8 inches (66.4 × 91.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Ancient Italy - Ovid Banished from Rome

Ancient Italy - Ovid Banished from Rome
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1842
Materials & Techniques:
Etching and line engraving, with scraping out and touched with graphite and white chalk; engraver's proof (a) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 26 3/4 × 38 1/2 inches (67.9 × 97.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Vision of Columbus

The Vision of Columbus
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 6 1/2 inches (29.5 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Vision of Columbus

The Vision of Columbus
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving, with scraping out and graphite; touched proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 9/16 × 6 1/8 inches (29.4 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Scott's Birthplace, no. 39, Castle Street, Edinburgh

Scott's Birthplace, no. 39, Castle Street, Edinburgh
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and engraving, touched with graphite (Engraver's Proof b)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. St. Pierre's Cottage

St. Pierre's Cottage
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving, with scraping out and touched with graphite (Engraver's Proof b) on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 9/16 × 12 3/16 inches (44.6 × 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. St. Anne's Hill, No. II

St. Anne's Hill, No. II
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving, with graphite and scratching out; touched engraver's proof (b) on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 3/8 × 11 3/4 inches (18.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. A Tempest – Voyage of Columbus

A Tempest – Voyage of Columbus
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, (First Published State) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 3/16 × 11 5/8 inches (43.7 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Soldier's Dream (vignette)

The Soldier's Dream (vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, (Engraver's Proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Carlisle

Carlisle
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving; second state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection