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Genre figure study

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Subject Terms laborer

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A Laborer Seen From Behind Operating a Machine
Creator:
Samuel Prout, 1783–1852
Date:
before 1841
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 15/16 × 2 1/2 inches (10 × 6.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Seated Peasant Woman
Creator:
Samuel Prout, 1783–1852
Date:
before 1841
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 1 7/8 × 1 11/16 inches (4.8 × 4.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Scytheman's Refreshment
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
between 1748 and 1756
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 15/16 × 9 inches (32.9 × 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Fisherman by a Boat with a Dog
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
undated
Materials & Techniques:
Pen and ink and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 8 3/4 inches (15.2 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection
The Scytheman's Refreshment
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/16 x 10 1/4 inches (36.1 x 26.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Return from Labor
Creator:
William Powell Frith, 1819–1909
Date:
ca. 1846
Materials & Techniques:
Black chalk and white chalk on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 10 × 7 3/8 inches (25.4 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund