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Taormina, Sicily
Creator:
Hugh William "Grecian" Williams, 1773–1829
Date:
undated
Materials & Techniques:
Graphite with white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 22 7/8 inches (30.2 × 58.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coast of Vietri from Salerno, September 22
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 7 1/2 x 9 3/4 inches (19.1 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape, Corsica
Creator:
John Minton, 1917–1957
Date:
1947
Materials & Techniques:
Watercolor, pen and black ink and pen and gray-blue ink with wash, white wax crayon and pastel on medium, moderately textured, cream wove paper mounted on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 x 19 1/2 inches (38.1 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Valley of Rocks, Devon
Creator:
unknown artist
Date:
1851
Materials & Techniques:
Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 9 1/8 inches (15.9 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coast of Genoa
Creator:
John Robert Cozens, 1752–1797
Date:
between 1782 and 1783
Materials & Techniques:
Graphite, varnish and buff ground on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 7 x 10 1/8 inches (17.8 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Close of the Day: Sunset on the Coast
Creator:
Alexander Cozens, 1717–1786
Date:
between 1768 and 1775
Materials & Techniques:
Oil and graphite on thick, moderately textured, laid paper
Dimensions:
Sheet: 9 5/8 x 12 1/4 inches (24.4 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection