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Two Gentlemen Going a Shooting, with a View of Creswell Crags, Taken on the Spot
Creator:
George Stubbs, 1724–1806
Date:
ca. 1767
Materials & Techniques:
Oil on canvas
Dimensions:
40 x 50 inches (101.6 x 127 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Given by Paul Mellon in memory of his friend James Cox Brady, Yale College, Class of 1929
On View:
Not on view
A Repose after Shooting
Creator:
George Stubbs, 1724–1806
Date:
1770
Materials & Techniques:
Oil on canvas
Dimensions:
40 1/4 x 50 1/2 inches (102.2 x 128.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Given by Paul Mellon in memory of his friend James Cox Brady, Yale College, Class of 1929
On View:
Not on view
Newark Abbey
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1806 and 1807
Materials & Techniques:
Oil on canvas
Dimensions:
36 x 48 1/2 inches (91.4 x 123.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Newark - upon - Trent
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1796
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 16 1/2 inches (30.5 x 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Nottingham
Creator:
Print made by James Walker, 1748–1808
Date:
1795
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 10 inches (19.7 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Newstead Abbey
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 9/16 × 7 15/16 inches (14.2 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection