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View of Horse Guards and Whitehall
Creator:
unknown artist
Date:
ca. 1750
Materials & Techniques:
Oil on canvas
Dimensions:
25 3/4 × 36 1/2 inches (65.4 × 92.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Deserter's Home
Creator:
Richard Redgrave, 1804–1888
Date:
1847
Materials & Techniques:
Oil on canvas
Dimensions:
30 x 40 1/4 inches (76.2 x 102.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Watercolor, graphite and black chalk on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 × 15 13/16 inches (50.8 × 40.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Falstaff Inspecting the Recruits
Creator:
Francis Hayman, 1707/8–1776
Date:
between 1761 and 1765
Materials & Techniques:
Black chalk, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 7 3/8 × 9 5/8 inches (18.8 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Duke of Monmouth as a Boy
Creator:
Print made by unknown artist
Date:
between 1673 and 1685
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 13 9/16 × 10 1/4 inches (34.5 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Hay Whitney, Yale BA 1926, Yale MA (HON.) 1956, transfer from the Yale University Library and the Yale University Art Gallery
Fluellen Forcing Pistol to Eat His Leek
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 14 × 10 1/8 inches (35.6 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund