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Creator:
unknown artist seventeenth century
Formerly attributed to Jan Wyck, ca. 1645–1700
Title:

Frost Fair on the Thames, with Old London Bridge in the distance

Date:
1684
Medium:
Oil on canvas
Dimensions:
25 1/4 x 30 1/4 inches (64.1 x 76.8 cm), Frame: 32 1/4 × 36 1/2 × 2 3/4 inches (81.9 × 92.7 × 7 cm)
Inscription(s)/Marks/Lettering:

Label on verso, upper left: "Painting in England, 1700-1850 | The Virginia Museum of Fine Arts Richmond 20 | Artist: Unidentified Artist | Title: 'Frost Fair on the Thames' | Medium: Oil on Canvas Cat. No. 1 | Insure for: Sales Price: | Lender: Mr. and Mrs. Paul Mellon | Address: Upperville, Virginia | (Please fill in and attach securely to work before sending to museum)"; upper center: "L 278722 | [logo] | Allied Van Lines | 45 | Pat.No. 3,489,499"; upper right: "Printed [...] | Allied | 3 | Reg. No. | [...] 3 | Printed in US[...]"

Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1976.7.113
Classification:
Paintings
Collection:
Paintings and Sculpture
Link to Frame:
B1976.7.113FR
Subject Terms:
audiences | bears | booths, exhibition | bridge (built work) | buildings | bulls (animals) | carriages | carts | churches | circle (plane figure) | cityscape | costume | dog (animal) | fair | flags | frost | frozen | genre subject | horses (animals) | ice | market (event) | men | monument | people | rings | river | selling | sleds | snow | spectators | stairs | stands | steeples | tents | tower (building division) | walking | winter
Associated Places:
England | Europe | Greater London | London | Thames | Tower of London | United Kingdom
Access:
Not on view
Link:
https://collections.britishart.yale.edu/catalog/tms:335
Export:
XML
IIIF Manifest:
JSON

Early modern Europe experienced a “mini ice age” with temperatures plunging well below anything normally experienced in the temperate island of Britain. The winter of 1683–84 was so cold that a “Frost Fair” was set up on the frozen river Thames. According to the courtier and diarist John Evelyn, horse and coach races, puppet plays, bullbaiting, musical performances, cooking, and drinking all took place on the ice, and even brothels were set up. This picture of the festivities shows Old London Bridge in the background. At left, behind the Tower of London, is the Monument to the Great Fire of 1666. The ice was a novelty but also disastrous, locking up waterways so that ships could not enter or leave the river. Frost split open trees as if lightning had struck them, and birds, fish, exotic plants, and even humans perished in the bitter cold.

Gallery label for installation of YCBA collection, 2016

Royal River (National Maritime Museum, 2012-04-27 - 2012-09-09) [YCBA Objects in the Exhibition]

All The Queen's Horses (National Heritage Center for Horseracing & Sporting Art, 2003-04-26 - 2003-08-23) [YCBA Objects in the Exhibition]

Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29) [YCBA Objects in the Exhibition]

Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 30-31, N590.2 A83 (YCBA) [YCBA]

Matthew Hargraves, "Yale Center for British Art joins Art UK", ArtUK, 24 June 2019, Available online https://artuk.org/discover/stories/yale-center-for-british-art-joins-art-uk [Website]

Painting in England 1700-1850, collection of Mr. & Mrs. Paul Mellon. , Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 37 (v.1), no. 1, pl. 227, ND466 V57 v.1-2 (YCBA) [YCBA]

David Starkey, Royal river, power, pageantry and the Thames , Scala Books, London, England, 2012, pp. 60-61, no. 24, DA670 T2 R69 2012 + OVERSIZE (YCBA) [YCBA]


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